Cornelis CortPays-Bas, 1533–1578Kruisafneming
Peut-on la contempler ?
Nous l’ignorons : le musée garde le silence
Rijksmuseum Amsterdam
Amsterdam, Pays-Bas
Le propriétaire est connu. Si elle est exposée aujourd’hui, le musée ne le dit pas, et l’on ne nous a pas appris à deviner.
- Source
- Les données de collection du musée lui-même
Notice
- Numéro d’inventaire
- RP-P-1906-2239
What it shows
Sources
- Rijksmuseum Amsterdam: the museum's own open data · obtenue il y a 5 jours
- Image : Rijksmuseum Amsterdam — public domain
Pendant ce temps, chez Cornelis Cort
La vie entière1565–1566
Move to Venice, Living in Titian's House
In 1565–1566 Cort lived in Venice in the house of Titian, who immediately recognized his abilities and gave him his finest paintings to reproduce.
1565–1566 · Lieu de travail
Venice
1566–1569 · Lieu de travail
Rome
after 1567
Return to Italy: Venice, Bologna, Rome
Having returned from Italy to the Netherlands, Cort left again for Venice shortly after 1567, and from there traveled to Bologna and Rome, where he engraved after the paintings of the great masters of the time.
1569–1571 · Lieu de travail
Florence
1570s
Roman School of Engravers and Work for Lafreri
In Rome he worked extensively for the publishing house of Antonio Lafreri and founded a famous school of engravers that produced a whole line of skilled masters; his manner was later developed by Agostino Carracci.
