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  1. Collection/
  2. Musée Herzog Anton Ulrich/
  3. Knabenkopf
Knabenkopf, Jacob Jordaens, 1613–1678
Jacques Jordaens, portraitJacques JordaensFlandre, 1593–1678

Knabenkopf

1613–1678 · Drawing

Peut-on la contempler ?

Inconnu

Musée Herzog Anton Ulrich

Brunswick, Allemagne

Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.

Dans cet état depuis
27 sept. 2026
Source
Le musée
Sur la cartePage du musée

Notice

1613–1678
15931678

Ce qu’elle montre

HeadAntwerpen/Rotterdam 1966/67, Kat. Nr. 107, S. 114 Ottawa 1968, Nr. 244, m. Abb. u. Lit. Niederländische Figurenstudien des 17. Jahrhunderts, Ausstellung vom 1.10. bis 12.11.1972 im Kupferstichkabinett des Herzog Anton Ulrich-Museums Braunschweig, Nr. 33 (Ausstellung)

Au catalogue

Dessins et aquarellesBaroqueXVIIe siècle

Sources

  • Musée Herzog Anton Ulrich
  • Image : Musée Herzog Anton Ulrich — CC BY-NC-SA 4.0

Pendant ce temps, chez Jacques Jordaens

La vie entière
  1. 1615

    Admitted to the guild as a master “water painter”

    After eight years of training Jordaens was admitted to the Antwerp Guild of Saint Luke as a master waterscilder (“water painter”), one who painted in water-based paints the canvases that served as substitutes for tapestries or as tapestry cartoons; other accounts give 1616. Unlike Rubens and van Dyck, he never went to Italy and, apart from short trips within the Low Countries, lived in Antwerp all his life.

  2. 15 May 1616

    Marries his master's daughter Catharina van Noort

    Jordaens married Adam van Noort's eldest daughter Catharina (other accounts call her Anna Catharina). At first the couple lived with or near his father-in-law; they had three children: Elisabeth, Jacob, who became a painter, and Anna Catharina.

  3. 1639–1640

    Charles I's commission: “The Story of Cupid and Psyche”

    Through the English king's agent in Brussels, Balthazar Gerbier, and the diplomat Cesare Alessandro Scaglia, Jordaens received a commission for 22 paintings for the Queen's House at Greenwich without knowing the patron or the destination; when Rubens, Gerbier's preferred choice, died on 30 May 1640, the whole commission passed to Jordaens. But Scaglia died in May 1641, only eight paintings reached the English court, and a dispute with his heirs over payment for seven of them dragged on into the next generation.

  4. 1640–1641

    After Rubens's death, Antwerp's leading painter

    With the deaths of Rubens in 1640 and van Dyck in 1641, Jordaens became the leading painter of Antwerp, and commissions came increasingly from abroad; Rubens's heirs asked him to finish “Perseus and Andromeda” for Philip IV. He never became a court painter: he worked mainly for wealthy townspeople and the clergy.

  5. 1645

    Converts to Calvinism

    Raised a Catholic, Jordaens converted to Calvinism (other accounts say only that this was towards the end of his life), yet the Catholic Church went on commissioning altarpieces from him. He belonged to the Protestant community De Brabantse Olijfberg and towards the end of his life opened his house for private services.

  6. 18 octobre 1678

    Died

Autres œuvres : Jacques Jordaens

Toutes les œuvres
Portrait of Catherine Behaghel, Jacques Jordaens, 1635

Portrait of Catherine Behaghel

1635 · Rijksmuseum Amsterdam

Portrait of Magdalena de Cuyper, Jacques Jordaens, c. 1635 - c. 1636

Portrait of Magdalena de Cuyper

c. 1635 - c. 1636 · Rijksmuseum Amsterdam

Portrait of Rogier Le Witer, Jacques Jordaens, 1635

Portrait of Rogier Le Witer

1635 · Rijksmuseum Amsterdam

Self-Portrait with Parents, Brothers and Sisters, Jacques Jordaens, 1615

Self-Portrait with Parents, Brothers and Sisters

1615 · Musée de l'Ermitage

Sts Paul and Barnabas in Lystra, Jacques Jordaens, c. 1616

Sts Paul and Barnabas in Lystra

c. 1616 · Musée de l'Ermitage

The Holy Family with Shepherds, Jacob Jordaens, 1616

The Holy Family with Shepherds

1616 · Metropolitan Museum of Art

Madonna and Child in the Garland of Flowers, Jacques Jordaens, c. 1618

Madonna and Child in the Garland of Flowers

c. 1618 · Musée de l'Ermitage

Les Quatre évangélistes, Jordaens, Jacob, 1e tiers du XVIIe siècle (1625 - 1630)

Les Quatre évangélistes

1e tiers du XVIIe siècle (1625 - 1630) · Musée du Louvre

De la collection : Musée Herzog Anton Ulrich

Page du musée
Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, Caravaggio, 1704–1755

Caravaggio

Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, 1704–1755

Ecce Homo, Caravaggio, 1674–1684

Caravaggio

Ecce Homo, 1674–1684

Heiliger Hieronymus, Caravaggio

Caravaggio

Heiliger Hieronymus

Bildnis eines Mannes, Rembrandt, 1839–1850

Rembrandt van Rijn

Bildnis eines Mannes, 1839–1850

Bildnis einer Frau, Rembrandt, 1839–1850

Rembrandt van Rijn

Bildnis einer Frau, 1839–1850

Tobias und seine Frau, Rembrandt, 1773

Rembrandt van Rijn

Tobias und seine Frau, 1773

Tobias und seine Frau, Rembrandt, 1773

Rembrandt van Rijn

Tobias und seine Frau, 1773

Lot mit seinen Töchtern, Rembrandt, 1771

Rembrandt van Rijn

Lot mit seinen Töchtern, 1771

Sur le même thème · Head

Toutes les œuvres sur ce thème
Two Grotesque Heads, Francesco Melzi after Leonardo da Vinci, 1510s?

Leonardo da Vinci

Two Grotesque Heads, 1510s?

Non exposée · National Gallery of Art

Tête de garçon II (Head of a Boy II), Pablo Picasso, 1962

Pablo Picasso

Tête de garçon II (Head of a Boy II), 1962

Non exposée · National Gallery of Art

Self-Portrait with Fright Wig, Andy Warhol, 1986

Andy Warhol

Self-Portrait with Fright Wig, 1986

Non exposée · National Gallery of Art

Self-Portrait with Fright Wig, Andy Warhol, 1986

Andy Warhol

Self-Portrait with Fright Wig, 1986

Non exposée · National Gallery of Art

Self-Portrait with Fright Wig, Andy Warhol, 1986

Andy Warhol

Self-Portrait with Fright Wig, 1986

Non exposée · National Gallery of Art

Flash—November 22, 1963, Andy Warhol, 1968

Andy Warhol

Flash—November 22, 1963, 1968

Non exposée · National Gallery of Art

Kopfstudie, Mann mit wirrem Haar, Rembrandt, 1723–1772

Rembrandt van Rijn

Kopfstudie, Mann mit wirrem Haar, 1723–1772

Musée Herzog Anton Ulrich

Kopfstudie, Greis mit Tuch über dem Kopf, Rembrandt, 1723–1772

Rembrandt van Rijn

Kopfstudie, Greis mit Tuch über dem Kopf, 1723–1772

Musée Herzog Anton Ulrich