Kitty—Flower-Pot, Alfred Stieglitz, 1904
Alfred Stieglitz, portraitAlfred StieglitzÉtats-Unis, 1864–1946

Kitty—Flower-Pot

1904 · Photograph

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

National Gallery of Art

Washington, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

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Dans cet état depuis
Source
Le musée

Notice

Numéro d’inventaire
1949.3.285

Ce qu’elle montre

Au catalogue

Sources

Pendant ce temps, chez Alfred Stieglitz

La vie entière
  1. 1902

    Founds the Photo-Secession

    In December 1901 Charles DeKay of the National Arts Club invited Stieglitz to put together an exhibition with “full power to follow his own inclinations”. Within two months he had assembled prints from a close circle of friends and, in homage to the Munich photographers, called the group the Photo-Secession, a secession not only from the artistic restrictions of the era but from the official oversight of the Camera Club.

  2. 1902

    First issue of Camera Work

    Having fully left Camera Notes, in December 1902 Stieglitz published the first issue of the independent magazine Camera Work, with hand-pulled photogravures, criticism and essays on art (other accounts date it from 1903). The gravures were so fine that when a set of prints failed to arrive for a Photo-Secession exhibition in Brussels, gravures from the magazine were hung instead, and most viewers took them for the original photographs.

  3. 25 November 1905

    The 291 gallery opens on Fifth Avenue

    On November 25, 1905, the Little Galleries of the Photo-Secession opened at 291 Fifth Avenue with one hundred prints by thirty-nine photographers; Edward Steichen had encouraged Stieglitz to lease the three rooms across from his own apartment. The gallery was an instant success, with almost fifteen thousand visitors in its first season and print sales of nearly $2,800, more than half of them Steichen's work.

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