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  1. Collection/
  2. Museum of Modern Art/
  3. Kastura
Kastura, Frank Stella, 1979
Frank Stella, portraitFrank StellaÉtats-Unis, 1936–2024

Kastura

1979 · Painting

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Museum of Modern Art

New York, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
il y a 8 jours
Source
Le musée
Sur la cartePage du musée

Notice

1979 · à 43 ans
19362024
Numéro d’inventaire
361.1980

Au catalogue

PeinturesHuilePeinture américaineArt contemporainXXe siècle

Sources

  • Museum of Modern Art
  • Image : Museum of Modern Art — © the artist or rights holder

Pendant ce temps, chez Frank Stella

La vie entière
  1. 1970s

    Introduces relief: “maximalist” painting

    He brings relief into his work and calls such painting “maximalist” for its sculptural qualities; in the Eccentric Polygon series the shaped canvases take on still less regular forms and collage elements appear, such as pieces of canvas glued to plywood, and aluminum then becomes the main support of his paintings.

  2. 1970s

    Moves to NoHo in Manhattan

    In the 1970s he moves to the NoHo neighborhood of Manhattan.

  3. 1978

    Marries the pediatrician Harriet McGurk

    Marries the pediatrician Harriet McGurk; they have two sons, Patrick and Peter. A daughter, Laura, was born to Stella between his two marriages, from a relationship with Shirley De Lemos Wyse.

  4. 1978–2005

    A studio in the former auction house in the East Village

    From 1978 to 2005 he owns the Van Tassell and Kearney Horse Auction Mart building in Manhattan's East Village and uses it as his studio; nearly thirty years of care lead to the restoration of the facade, and after a six-year campaign by the Greenwich Village Society for Historic Preservation the building is designated a New York City Landmark in 2012.

  5. 1980s

    Takes up squash

    Takes up squash after injuring his back opening a garage door; later has a court built at his horse farm in upstate New York and forms close friendships with many players. In 1986 he says squash lets him forget about painting.

Autres œuvres : Frank Stella

Toutes les œuvres
Flin Flon IV, Frank Stella, 1969

Flin Flon IV

1969 · National Gallery of Art

Tahkt-I-Sulayman Variation II, Frank Stella, 1969

Tahkt-I-Sulayman Variation II

1969 · Minneapolis Institute of Art

Chodorow II, Frank Stella, 1971

Chodorow II

1971 · National Gallery of Art

Nasielk III, Frank Stella, 1972

Nasielk III

1972 · Museum of Modern Art

Prinz Friedrich von Homburg, Ein Schauspiel, 3X, Frank Stella, 1998-2001

Prinz Friedrich von Homburg, Ein Schauspiel, 3X

1998-2001 · National Gallery of Art

Double Concentric Squares, Frank Stella, n.d.

Double Concentric Squares

n.d. · Art Institute of Chicago

Untitled, Frank Stella, n.d.

Untitled

n.d. · Non exposée · Museum of Modern Art

Untitled, Frank Stella, n.d.

Untitled

n.d. · Non exposée · Museum of Modern Art

Sous le même toit : Museum of Modern Art

Page du musée
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

La Nuit étoilée, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950