ART WIKI33 040 en salle
CarteCollectionArtistesMuséesExpositionsJournal
Connexion

ART WIKI

Où est accroché le chef-d’œuvre, et quand on vous laisse entrer.

Collections : Art Institute of Chicago, Cleveland Museum of Art, Galerie Tretiakov, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Metropolitan Museum of Art, Minneapolis Institute of Art, Musée de l'Ermitage, Musée des Beaux-Arts Pouchkine, Musée du Louvre, musée national d'art asiatique, Musée russe, Musées d'Art de Harvard, Museum of Modern Art, National Gallery of Art, National Portrait Gallery, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Catalogue d’État du fonds muséal de Russie (274 musées), Europeana (19 musées), Wikidata (6 musées), Paris Musées (12 musées) et Joconde, la base des musées du ministère de la Culture (495 musées). Les images appartiennent à leurs ayants droit.

Rubriques

  • Carte
  • Recherche
  • Collection
  • Chefs-d’œuvre
  • Exposées en ce moment
  • Artistes

Et aussi

  • Musées et galeries
  • Expositions
  • Journal
  • D’où viennent les données
  • Confidentialité et cookies
AccueilCarteCatalogue
  1. Collection/
  2. Musée Herzog Anton Ulrich/
  3. Karikatur eines Malers
Karikatur eines Malers, William Hogarth, 1717–1764
William Hogarth, portraitWilliam HogarthAngleterre, 1697–1764

Karikatur eines Malers

1717–1764 · Drawing

Peut-on la contempler ?

Inconnu

Musée Herzog Anton Ulrich

Brunswick, Allemagne

Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.

Dans cet état depuis
27 sept. 2026
Source
Le musée
Sur la cartePage du musée

Notice

1717–1764
16971764

Au catalogue

Dessins et aquarellesBaroqueXVIIIe siècle

Sources

  • Musée Herzog Anton Ulrich
  • Image : Musée Herzog Anton Ulrich — CC BY-NC-SA 4.0

Pendant ce temps, chez William Hogarth

La vie entière
  1. 23 March 1729

    A secret wedding to Jane Thornhill

    Not hoping for Sir James’s consent — he saw the match as unequal, Hogarth being a rather obscure artist then — William and Jane married in secret at Paddington Church. Jane and her mother helped to reconcile him with his father-in-law: they hung the first paintings of “A Harlot’s Progress” in his house, and on learning the artist’s name Sir James admitted that a man who could produce such pictures could also keep a wife without a dowry.

  2. 1735

    Founds the St Martin’s Lane Academy

    In 1735 Hogarth founded the St Martin’s Lane Academy in London — in essence a drawing studio that grew out of a circle of painters, draughtsmen and engravers who met at Slaughter’s coffee house on St Martin’s Lane. It became a forerunner of the Royal Academy of Arts and spread new artistic ideas in England.

  3. 25 June 1735

    “Hogarth’s Act”: copyright for engravings

    When the success of the two series produced numerous pirated copies, Hogarth lobbied Parliament for a law protecting engravers: the Engravers’ Copyright Act, known as “Hogarth’s Act”, became law on 25 June 1735 — the first copyright law to cover visual works and to recognise the authorial rights of an individual artist.

  4. 1753

    The treatise “The Analysis of Beauty”

    In 1753 Hogarth published the treatise “The Analysis of Beauty”, in which he declared the S-shaped “line of beauty” — a serpentine line that conveys life and movement — the basis of harmony, and made it his emblem. His adherents praised the book as a fine statement on aesthetics, while enemies and rivals such as Paul Sandby mocked its obscurities and minor errors in endless caricatures.

  5. 1757

    Serjeant Painter to the King

    In 1757 George II appointed Hogarth Serjeant Painter to the King, successor to James Thornhill, who had held the post before him.

  6. 26 octobre 1764

    Died

Autres œuvres : William Hogarth

Toutes les œuvres
The Sleeping Congregation, William Hogarth, 1728

The Sleeping Congregation

1728 · Minneapolis Institute of Art

The Wedding of Stephen Beckingham and Mary Cox, William Hogarth, 1729

The Wedding of Stephen Beckingham and Mary Cox

1729 · Metropolitan Museum of Art

Before, William Hogarth, 1730–1731

Before

1730–1731 · J. Paul Getty Museum

After, William Hogarth, 1730–1731

After

1730–1731 · J. Paul Getty Museum

William Hogarth's Business Card, Samuel Ireland after William Hogarth

William Hogarth's Business Card

Non exposée · National Gallery of Art

Taste in high life, William Hogarth

Taste in high life

Albertina

Le Roué à Oxford dit autrefois Débat sur la chiromancie, Hogarth, William, XVIIIe siècle (1700 - 1800)

Le Roué à Oxford dit autrefois Débat sur la chiromancie

XVIIIe siècle (1700 - 1800) · Non exposée · Musée du Louvre

Lavinia Fenton, Duchess of Bolton, William Hogarth, 18th century

Lavinia Fenton, Duchess of Bolton

18th century · National Gallery

De la collection : Musée Herzog Anton Ulrich

Page du musée
Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, Caravaggio, 1704–1755

Caravaggio

Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, 1704–1755

Ecce Homo, Caravaggio, 1674–1684

Caravaggio

Ecce Homo, 1674–1684

Heiliger Hieronymus, Caravaggio

Caravaggio

Heiliger Hieronymus

Bildnis eines Mannes, Rembrandt, 1839–1850

Rembrandt van Rijn

Bildnis eines Mannes, 1839–1850

Bildnis einer Frau, Rembrandt, 1839–1850

Rembrandt van Rijn

Bildnis einer Frau, 1839–1850

Tobias und seine Frau, Rembrandt, 1773

Rembrandt van Rijn

Tobias und seine Frau, 1773

Tobias und seine Frau, Rembrandt, 1773

Rembrandt van Rijn

Tobias und seine Frau, 1773

Lot mit seinen Töchtern, Rembrandt, 1771

Rembrandt van Rijn

Lot mit seinen Töchtern, 1771