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Joseph T. Keiley, Alfred Stieglitz, 1911/1912
Alfred Stieglitz, portraitAlfred StieglitzÉtats-Unis, 1864–1946

Joseph T. Keiley

1911/1912 · Photograph

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Pas exposée actuellement

Où est « Joseph T. Keiley » aujourd’hui ? Collection: National Gallery of Art, Washington. Pas exposée actuellement. Vérifié 29 septembre 2026.

National Gallery of Art

Washington, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

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Le musée
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Notice

Numéro d’inventaire
1949.3.338

Ce qu’elle montre

New York CityPortraitInteriorLawyerHommeKeiley, Joseph T.

Au catalogue

PhotographiesTirage au platineModernismeXXe siècleAmerican

Sources

Dans la vie de Alfred Stieglitz

La vie entière

  1. 1910

    The Albright show and a new round of attacks

    In 1910 the director of the Albright Art Gallery invited Stieglitz to organise a major show of the best contemporary photography, which provoked a new round of attacks: American Photography magazine called the Photo-Secession “a reactionary force of the most dangerous type”. “The reputation, not only of the Photo-Secession, but of photography is at stake,” Stieglitz wrote to the photographer George Seeley.

  2. 1911

    The Met turns down Picasso for $2,000

    In 1911 Stieglitz offered the Metropolitan Museum a collection of Picasso's works for $2,000 but was refused: according to the director, such mad things would never be accepted by America. Between 1908 and 1915 he exhibited 89 paintings and drawings by Picasso but could sell only one, which he ended up buying himself.

  3. March – April 1911

    Cézanne watercolours and Picasso drawings at 291

    In March 1911 Stieglitz presented Cézanne's watercolours to the American public, and in April drawings and watercolours by Picasso.

  4. August 1912

    A Camera Work issue on Matisse and Picasso

    By the summer of 1912 Stieglitz was so enthralled with non-photographic art that he devoted the August issue of Camera Work entirely to Matisse and Picasso.

  5. 1913

    The Armory Show, and his own photographs at 291

    Stieglitz lent works from 291 to the organisers, Walter Pach, Arthur B. Davies and Walt Kuhn, and was listed as an honorary vice-president of the exhibition along with Claude Monet, Odilon Redon, Mabel Dodge and Isabella Stewart Gardner. He saw the Armory Show, which opened in February 1913, as a vindication of his five years of work at 291, where he simultaneously showed his own photographs so that the public could see photographs and modern paintings side by side.

  6. 1914

    African sculpture and children's drawings at 291

    In 1914 Stieglitz presented African sculpture to the public, followed by children's drawings.

Autres œuvres : Alfred Stieglitz

Toutes les œuvres
The Hand of Man, Alfred Stieglitz, 1902

The Hand of Man

1902 · Museum of Modern Art

Snapshot—In the New York Central Yards, Alfred Stieglitz, 1903

Snapshot—In the New York Central Yards

1903 · Museum of Modern Art

The Steerage, Alfred Stieglitz, 1907

The Steerage

1907 · Museum of Modern Art

Old and New New York, Alfred Stieglitz, 1910

Old and New New York

1910 · Art Institute of Chicago

Washerwomen at Riva del Garda, Alfred Stieglitz, 1887, printed 1929/1934

Washerwomen at Riva del Garda

1887, printed 1929/1934 · Non exposée · National Gallery of Art

The Street Paver, Alfred Stieglitz, 1893, printed 1929/1934

The Street Paver

1893, printed 1929/1934 · Non exposée · National Gallery of Art

Weary, Alfred Stieglitz, 1890, printed 1929/1934

Weary

1890, printed 1929/1934 · Non exposée · National Gallery of Art

Stones of Venice, Chioggia, Alfred Stieglitz, 1887, printed 1929/1934

Stones of Venice, Chioggia

1887, printed 1929/1934 · Non exposée · National Gallery of Art

Aussi exposées : National Gallery of Art

Page du musée
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Portrait de Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Jeune Fille en blanc, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Ferme en Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Sur le même thème · New York City

Toutes les œuvres sur ce thème
Gregory Corso embraced by intimate friend, The Bistro, Jane & W. 4th Street, December 21, 1992., Allen Ginsberg, 1992

Allen Ginsberg

Gregory Corso embraced by intimate friend, The Bistro, Jane & W. 4th Street, December 21, 1992., 1992

Non exposée · National Gallery of Art

Donald Cook and his son Michael, an apartment near Columbia University, Francis Mechner in background, young psychology grad students. Later they proposed innovating Basic Systems Computer teaching machines. New York, Fall 1953., Allen Ginsberg, 1953, printed 1990

Allen Ginsberg

Donald Cook and his son Michael, an apartment near Columbia University, Francis Mechner in background, young psychology grad students. Later they proposed innovating Basic Systems Computer teaching machines. New York, Fall 1953., 1953, printed 1990

Non exposée · National Gallery of Art

Richard Baker Roshi whose teacher was Suzuki Roshi soon after he stepped down as Abbot of San Francisco Zen Center to found Santa Fé, N.M. & Crestone Colorado Zen Meditation Centers, and give transmission to Philip Whalen, Sensei. Here visiting apartment on East 12’th Street after return from East Europe where he’d taught zen sitting groups, we caught up on our samsaric adventures. Baker Roshi had hosted 1965 U.C. Berkeley Poets’ convocation, we’d remained friends, especially thru his kindness to poet Whalen whom he’d invited to S.F. Zen. Center. N.Y. Fall 1984., Allen Ginsberg, 1984, printed 1994

Allen Ginsberg

Richard Baker Roshi whose teacher was Suzuki Roshi soon after he stepped down as Abbot of San Francisco Zen Center to found Santa Fé, N.M. & Crestone Colorado Zen Meditation Centers, and give transmission to Philip Whalen, Sensei. Here visiting apartment on East 12’th Street after return from East Europe where he’d taught zen sitting groups, we caught up on our samsaric adventures. Baker Roshi had hosted 1965 U.C. Berkeley Poets’ convocation, we’d remained friends, especially thru his kindness to poet Whalen whom he’d invited to S.F. Zen. Center. N.Y. Fall 1984., 1984, printed 1994

Non exposée · National Gallery of Art

Midsummer leafage on Ailanthus Trees & backyard bushes in slight breeze, looks like 68°, guests had brought sunflowers the night before, gay club news on windowsill, I’d looked out my kitchen window with camera weekly almost a decade now, the garden courtyard cleaned and swept neat, East 12th street lower East Side Manhattan June 6, 1993., Allen Ginsberg, 1993, printed 1994

Allen Ginsberg

Midsummer leafage on Ailanthus Trees & backyard bushes in slight breeze, looks like 68°, guests had brought sunflowers the night before, gay club news on windowsill, I’d looked out my kitchen window with camera weekly almost a decade now, the garden courtyard cleaned and swept neat, East 12th street lower East Side Manhattan June 6, 1993., 1993, printed 1994

Non exposée · National Gallery of Art

Gutterboy band—Barb Morrison, Dito Montiel Danny Hulsizer with button shirt & his brother Eric, with drummer Johnny Koncz on Canal Street, Allen Ginsberg, c. 1987

Allen Ginsberg

Gutterboy band—Barb Morrison, Dito Montiel Danny Hulsizer with button shirt & his brother Eric, with drummer Johnny Koncz on Canal Street, c. 1987

Non exposée · National Gallery of Art

John Giorno, Henry Geldzahler, in his garden West 9th Street, N.Y.C., Raymond Foye, A. Ginsberg rear, next to Francesco Clemente (whose Castelli - Mary Boone painting show was to open later that day with receptions), William Burroughs stepping forward glass in hand arms round Alan Ansen's shoulders, March 30, 1985. Snapped by Ira Silverberg. Allen Ginsberg, Allen Ginsberg, 1985

Allen Ginsberg

John Giorno, Henry Geldzahler, in his garden West 9th Street, N.Y.C., Raymond Foye, A. Ginsberg rear, next to Francesco Clemente (whose Castelli - Mary Boone painting show was to open later that day with receptions), William Burroughs stepping forward glass in hand arms round Alan Ansen's shoulders, March 30, 1985. Snapped by Ira Silverberg. Allen Ginsberg, 1985

Non exposée · National Gallery of Art

The first shopping cart street prophet I'd directly noticed, fall leaves scattered on Tompkins Park sidewalk, Avenue A & St. Mark's Place, over 40 years ago. Leshko's Restaurant was cheap and popular as at present on the corner a block south, I had my snapshots developed at a drugstore near Park Center eatery across the street on S. W. Corner, & was living with W. S. Burroughs a few blocks away 206 East 7th street - working as copyboy on now-defunct "New York World Telegram," my apartment rent $29.00 a month, three small rooms. October, 1953., Allen Ginsberg, 1953, printed later

Allen Ginsberg

The first shopping cart street prophet I'd directly noticed, fall leaves scattered on Tompkins Park sidewalk, Avenue A & St. Mark's Place, over 40 years ago. Leshko's Restaurant was cheap and popular as at present on the corner a block south, I had my snapshots developed at a drugstore near Park Center eatery across the street on S. W. Corner, & was living with W. S. Burroughs a few blocks away 206 East 7th street - working as copyboy on now-defunct "New York World Telegram," my apartment rent $29.00 a month, three small rooms. October, 1953., 1953, printed later

Non exposée · National Gallery of Art

Boiler repairmen on East 12th Street near Avenue A, Manhattan December 4, 1986., Allen Ginsberg, 1986

Allen Ginsberg

Boiler repairmen on East 12th Street near Avenue A, Manhattan December 4, 1986., 1986

Non exposée · National Gallery of Art