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  1. Collection/
  2. National Portrait Gallery/
  3. John Pendleton Kennedy
John Pendleton Kennedy, Mathew B. Brady, c. 1860

John Pendleton Kennedy

c. 1860 · Photograph

Notice

c. 1860
18231896
Numéro d’inventaire
S/NPG.78.212

Pendant ce temps, chez Mathew B. Brady

La vie entière
  1. 1850s

    His eyesight begins to fail

    In the 1850s Brady’s eyesight begins to deteriorate; this may in part explain why he later rarely visited the battlefields himself and why many images in his collection are thought to be the work of his assistants.

  2. 1861

    Lincoln permits him to photograph the war

    Taken with the idea of documenting the war itself, Brady first asks his old friend General Winfield Scott, and then President Lincoln, for permission to send his photographers to the battle sites; Lincoln agrees in 1861 on condition that Brady finances the project himself. Despite the dangers, the financial risk and his friends’ discouragement, he said he simply had to go.

  3. 1861

    Under fire at Bull Run

    His first popular photographs of the conflict are taken at the First Battle of Bull Run, where he gets so close to the action that he barely avoids capture; later he comes under direct fire at Petersburg and Fredericksburg.

  4. 1861

    Hires photographers with travelling darkrooms

    He employs Alexander Gardner, James Gardner, Timothy H. O’Sullivan, William Pywell, George N. Barnard, Thomas C. Roche and seventeen other men, giving each a travelling darkroom. Brady himself generally resides in Washington, organizing his assistants and rarely visiting the battlefields, so many images in his collection are the work of his assistants.

  5. 1861

    Offers parents portraits of departing soldiers

Autres œuvres : Mathew B. Brady

Toutes les œuvres

Sous le même toit : National Portrait Gallery

Page du musée

Sur le même thème · Legislators

Toutes les œuvres sur ce thème

When the Civil War begins, sales of cartes de visite to departing soldiers rise briskly; in the New-York Daily Tribune Brady runs an advertisement warning parents that it may soon be too late to capture their sons’ likenesses.

  • October 1862

    Exhibition “The Dead of Antietam”

    He opens, in his New York gallery, an exhibition of photographs of the Battle of Antietam; many of the images show corpses, a presentation new to America — the first time many Americans saw the realities of war in photographs rather than in artists’ impressions.

  • Mathew B. Brady, portraitMathew B. BradyÉtats-Unis, 1823–1896

    Peut-on la contempler ?

    Inconnu

    NPG
    National Portrait Gallery

    Washington, États-Unis

    Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.

    Dans cet état depuis
    5 oct. 2026
    Source
    Le musée
    Sur la cartePage du musée

    Ce qu’elle montre

    LegislatorsNeckwearArt implementsArts and CultureWritersMustachesDress accessoriesCarte-de-visite

    Au catalogue

    PhotographiesTirage sur papier albuminéRéalismeImpressionnismeXIXe siècle

    Sources

    • National Portrait Gallery
    • Image : National Portrait Gallery — National Portrait Gallery, Smithsonian Institution (CC0)
    Untitled, Mathew B. Brady, 1860-70

    Untitled

    1860-70 · Non exposée · Museum of Modern Art

    Ernestine Souvenir, Mathew B. Brady, 1860-69

    Ernestine Souvenir

    1860-69 · Non exposée · Museum of Modern Art

    Untitled, Mathew B. Brady, c. 1860

    Untitled

    c. 1860 · Non exposée · Museum of Modern Art

    General Ulysses S. Grant, Mathew B. Brady, 1861-65

    General Ulysses S. Grant

    1861-65 · Non exposée · Museum of Modern Art

    President Lincoln, Mathew B. Brady, c. 1862

    President Lincoln

    c. 1862 · Non exposée · Museum of Modern Art

    Ruins of Richmond, Mathew B. Brady, 1863-65

    Ruins of Richmond

    1863-65 · Non exposée · Museum of Modern Art

    Ruins of the Gallego Flour Mills, Richmond, Virginia, Mathew B. Brady (studio of), Alexander Gardner, 1865

    Ruins of the Gallego Flour Mills, Richmond, Virginia

    1865 · Non exposée · Museum of Modern Art

    Ruins of Richmond & Petersburg Railroad Bridge, Richmond, Virginia, Mathew B. Brady, April 1865

    Ruins of Richmond & Petersburg Railroad Bridge, Richmond, Virginia

    April 1865 · Non exposée · Museum of Modern Art

    Robert F. Kennedy, Gardner Cox, 1968

    Gardner Cox

    Robert F. Kennedy, 1968

    Babe Ruth, Paolo Garretto, 1929

    Paolo Garretto

    Babe Ruth, 1929

    Alice Dunbar Nelson, Laura Wheeler Waring, 1927

    Laura Wheeler Waring

    Alice Dunbar Nelson, 1927

    Pauline Morton Sabin, Philip Alexius de László, 1926

    Philip Alexius de László

    Pauline Morton Sabin, 1926

    Adolph Ochs, Philip Alexius de László, 1926

    Philip Alexius de László

    Adolph Ochs, 1926

    Samuel Gompers, Moses Wainer Dykaar, 1924

    Moses Wainer Dykaar

    Samuel Gompers, 1924

    Alexander Graham Bell, Moses Wainer Dykaar, 1922

    Moses Wainer Dykaar

    Alexander Graham Bell, 1922

    Lillian D. Wald, William Valentine Schevill, 1919

    William Valentine Schevill

    Lillian D. Wald, 1919

    John F. Wilson, Otto J. Schneider

    Otto J. Schneider

    John F. Wilson

    Smithsonian American Art Museum

    The Georgia Delegation in Congress - Photographed by Brady, from Harper's Weekly, January 5, 1861, Winslow Homer, 1861

    Winslow Homer

    The Georgia Delegation in Congress - Photographed by Brady, from Harper's Weekly, January 5, 1861, 1861

    Smithsonian American Art Museum

    Grand National Whig Banner, "Onward", Nathaniel Currier

    Nathaniel Currier

    Grand National Whig Banner, "Onward"

    Smithsonian American Art Museum

    Washington--Chamber of Representatives, Isidore Laurent Deroy, n.d.

    Isodore-Laurent Deroy

    Washington--Chamber of Representatives, n.d.

    Smithsonian American Art Museum

    Henry Wilson, c. 1860-70

    Henry Wilson, c. 1860-70

    National Portrait Gallery

    Samuel Norris and Joseph Mickle Fox, Auguste Edouart, 1843

    Auguste Edouart

    Samuel Norris and Joseph Mickle Fox, 1843

    National Portrait Gallery

    James Monroe, Goodman & Piggot, 1817

    Goodman & Piggot

    James Monroe, 1817

    National Portrait Gallery

    George M. Dallas, c. 1860-70

    George M. Dallas, c. 1860-70

    National Portrait Gallery