Johannes de Doper, Martin Schongauer, c. 1470 - 1491
Martin Schongauer, portraitMartin SchongauerAllemagne, 1440–1491

Johannes de Doper

c. 1470 - 1491 · Print

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Inconnu

Rijksmuseum Amsterdam

Amsterdam, Pays-Bas

Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.

Source
Le musée

À propos de l’œuvre

Selon le musée — en néerlandais

Johannes de Doper, gehuld in dierenvellen en een mantel, draagt in zijn linkerhand een boek waarop een lam ligt.

Rijksmuseum Amsterdam

Notice

Numéro d’inventaire
RP-P-OB-1042

Ce qu’elle montre

Au catalogue

Sources

Pendant ce temps, chez Martin Schongauer

La vie entière
  1. c. 1466 – 1469

    Learns painting from Caspar Isenmann

    After early training in his father’s goldsmith workshop, he is thought to have learned painting from Colmar’s leading master Caspar Isenmann, a neighbour of his parents and a follower of Early Netherlandish painting. The older view that Master E. S. taught him engraving is now doubted by scholars.

  2. not after 1469

    Journeyman travels through Burgundy and the Netherlands

    He makes the journeyman’s tour expected of artists of his time, begun by 1469 at the latest: he visits Burgundy and the Netherlands and gets to know the work of Rogier van der Weyden, Dirk Bouts, the Cologne school around Stefan Lochner and the Flemish school of Jan van Eyck. He is thought to have worked for a time with Hans Pleydenwurff in Nuremberg, and some scholars believe he also visited Spain, perhaps Portugal.

  3. early 1470s

    Begins signing his engravings with a monogram

    He is thought to have begun signing his engravings with the monogram M†S in the early 1470s; 116 engravings are attributed to him, and none of them is dated.

  4. 1471

    Sets up his own workshop in Colmar

    By 1471 he has his own workshop: that year payments are made for an altarpiece for the Dominican church in Colmar, now in the museum and regarded as a workshop production.

  5. c. 1471 – 1491

    Twenty years at the head of German engraving

    He dominates German engraving for about twenty years: his 116 engravings are known in Germany and Italy, reach England and Spain, and in Italy their maker is nicknamed “Beautiful Martin”; according to Vasari, Michelangelo copied his Temptation of St Anthony.

  6. 2 février 1491

    Died

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