ART WIKI
James R. McConnell, John Elliott, ca. 1917-1925
John ElliottÉtats-Unis

James R. McConnell

ca. 1917-1925 · Drawing · 75.8 × 55.9 cm

Peut-on la contempler ?

Inconnu

Smithsonian American Art Museum

Washington, États-Unis

Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.

Dans cet état depuis
Source
Le musée
Sur la cartePage du musée

Notice

Numéro d’inventaire
1927.8.15

Ce qu’elle montre

PilotOccupationsHommePortraitMilitary

Au catalogue

Dessins et aquarellesCraieModernismeXXe siècle

Sources

Autres œuvres : John Elliott

Toutes les œuvres
Edward Elliott, John Elliott, 19th-20th century

Edward Elliott

19th-20th century · Non exposée · Musées d'Art de Harvard

Hamilton Coolidge, John Elliott, ca. 1917-1925

Hamilton Coolidge

ca. 1917-1925 · Smithsonian American Art Museum

Kiffin Rockwell, John Elliott, ca. 1917-1925

Kiffin Rockwell

ca. 1917-1925 · Smithsonian American Art Museum

Edmond Charles Clinton Genet, John Elliott, ca. 1917-1925

Edmond Charles Clinton Genet

ca. 1917-1925 · Smithsonian American Art Museum

Philip N. Rhinelander, John Elliott, ca. 1917-1925

Philip N. Rhinelander

ca. 1917-1925 · Smithsonian American Art Museum

Richard Norton, John Elliott, ca. 1917-1925

Richard Norton

ca. 1917-1925 · Smithsonian American Art Museum

Victor Chapman, John Elliott, ca. 1917-1925

Victor Chapman

ca. 1917-1925 · Smithsonian American Art Museum

Paul Pavelka, John Elliott, ca. 1917-1925

Paul Pavelka

ca. 1917-1925 · Smithsonian American Art Museum

Sous le même toit : Smithsonian American Art Museum

Page du musée
Muskrat, Unidentified, before 1997

Unidentified

Muskrat, before 1997

Cane with Boot-Shaped Handle, Unidentified, late 19th-early 20th century

Unidentified

Cane with Boot-Shaped Handle, late 19th-early 20th century

San Jose, Arce group, late 19th-early 20th century

Arce group

San Jose, late 19th-early 20th century

Nuestra Senora del Carmen, Rivera group, ca. late 19th-early 20th century

Rivera group

Nuestra Senora del Carmen, ca. late 19th-early 20th century

San Rafael, Genaro Rivera Aviles, late 19th-early 20th century

Genaro Rivera Aviles

San Rafael, late 19th-early 20th century

Worrying Mother Pig Toy, Unidentified, 20th century (pre-1960s)

Unidentified

Worrying Mother Pig Toy, 20th century (pre-1960s)

Bright Light at Russell's Corners, George Ault, 1946

George Ault

Bright Light at Russell's Corners, 1946

Fish Decoy, Unidentified, ca. 1940s

Unidentified

Fish Decoy, ca. 1940s

Sur le même thème · Pilot

Toutes les œuvres sur ce thème
Pilots Gambling in Ready Room, Selfridge Field, Michigan ("I fired a long burst and saw an explosion behind the pilot's cockpit—He went straight down—I tried to follow—When he crashed three white blobs jumped out of the ground—Heh! This isn't my deal!"), Gordon Parks, October 1943

Gordon Parks

Pilots Gambling in Ready Room, Selfridge Field, Michigan ("I fired a long burst and saw an explosion behind the pilot's cockpit—He went straight down—I tried to follow—When he crashed three white blobs jumped out of the ground—Heh! This isn't my deal!"), 1943

Non exposée · National Gallery of Art

Lt. "Wild Bill" William Walker and Lt. George Knox 332nd Fighter Group, Selfridge Field, Michigan ("A guy like Bill has got to come in—Let's wait a while longer."), Gordon Parks, October 1943

Gordon Parks

Lt. "Wild Bill" William Walker and Lt. George Knox 332nd Fighter Group, Selfridge Field, Michigan ("A guy like Bill has got to come in—Let's wait a while longer."), 1943

Non exposée · National Gallery of Art

P40 in Line for Take Off, Selfridge Field, Michigan ("We're back sugar—Thanks a lot—You're a great gal."), Gordon Parks, October 1943

Gordon Parks

P40 in Line for Take Off, Selfridge Field, Michigan ("We're back sugar—Thanks a lot—You're a great gal."), 1943

Non exposée · National Gallery of Art

Lt. "Wild Bill" William Walker, former college athlete, in the cockpit of a P39, Selfridge Field, Michigan ("All clear—Contact."), Gordon Parks, October 1943

Gordon Parks

Lt. "Wild Bill" William Walker, former college athlete, in the cockpit of a P39, Selfridge Field, Michigan ("All clear—Contact."), 1943

Non exposée · National Gallery of Art

332nd Fighter Group in Flight, Selfridge Field, Michigan ("At last we are airborne—We take up our battle positions—White wisps pass us—It's glorious up here."), Gordon Parks, October 1943

Gordon Parks

332nd Fighter Group in Flight, Selfridge Field, Michigan ("At last we are airborne—We take up our battle positions—White wisps pass us—It's glorious up here."), 1943

Non exposée · National Gallery of Art

Lt. George Knox. 332nd Fighter Group training at Selfridge Field, Michigan ("Fighters up! And good luck."), Gordon Parks, October 1943

Gordon Parks

Lt. George Knox. 332nd Fighter Group training at Selfridge Field, Michigan ("Fighters up! And good luck."), 1943

Non exposée · National Gallery of Art

Piloot in een cockpit, anonymous, c. 1945 - c. 1949

anonymous

Piloot in een cockpit, c. 1945 - c. 1949

Rijksmuseum Amsterdam

Vliegtuig met een portret van vliegenier Clément van Maasdijk, anonymous, c. 1910 - c. 1915

anonymous

Vliegtuig met een portret van vliegenier Clément van Maasdijk, c. 1910 - c. 1915

Rijksmuseum Amsterdam