Konstantin Korovin1861–1939Испанка
Peut-on la contempler ?
Inconnu
Kirov, Russie
Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.
- Dans cet état depuis
- Source
- Le musée
À propos du tableau
Selon le musée — en russe
Hа фоне серой стены молодая испанка в черной короткой кофте, белой рубашке и коричневой юбке стоит подбоченясь; справа на ящике стакан с вином, свеча и бутылка, которой женщина касается левой рукой.
Vyatskiy Art Museum
Notice
- Numéro d’inventaire
- Ж-133
Au catalogue
Sources
- Le Catalogue national du fonds muséal de Russie
- Image : Vyatskiy Art Museum — © Вятский художественный музей имени В. М. и А. М. Васнецовых · Госкаталог музейного фонда РФ
Pendant ce temps, chez Konstantin Korovin
La vie entière1881–1923 · Lieu de travail
Moscow
1887, 1892 and 1893
More trips to Paris
Korovin visits Paris again in 1887, 1892 and 1893; the painting of the French Impressionists makes a great impression on him.
1894
A northern journey with Serov
With his friend Valentin Serov, Korovin travels to the North — the Kola Peninsula, northern Norway and Swedish Lapland; the trip yields the landscapes Norwegian Port, St. Triphon’s Brook in Pechenga, Hammerfest: Aurora Borealis, The Coast at Murmansk and Arkhangelsk Port on the Dvina. Other accounts call it his second northern trip, coinciding with the construction of the Northern Railway.
1895–1898
Three more trips to the North
In 1895 Korovin repeats the journey with N. A. Prakhov and the painter N. V. Dosekin, in 1897 he travels again with Serov, and in 1898 with N. A. Klodt, preparing for the 1900 World’s Fair in Paris.
![Пруд. Осень, Konstantin Korovin, [Конец 19 в.]](/api/img?u=https%3A%2F%2Fgoskatalog.ru%2Fmuzfo-imaginator%2Frest%2Fimages%2Fpublic%2F1600%2F29700169%2F29700169.jpg)
