Joaquín SorollaEspagne, 1863–1923Interior de la barca
Peut-on la contempler ?
Nous l’ignorons : le musée garde le silence
Musée Sorolla
Madrid, Espagne
Le propriétaire est connu. Si elle est exposée aujourd’hui, le musée ne le dit pas, et l’on ne nous a pas appris à deviner.
- Dans cet état depuis
- Source
- Les données de collection du musée lui-même
À propos de l’œuvre
Selon le musée — en espagnol
Anverso: Interior de la barca Proa de una barca, vista desde el interior, en la que se destacan los diferentes elementos que la componen. En la zona central, una argolla de la que cuelga un cabo sobreatado. Reverso: Perfil de la proa de una barca.
Musée Sorolla
Notice
Ce qu’elle montre
Au catalogue
Sources
- Musée Sorolla : les données ouvertes du musée · obtenue il y a 8 jours
- Image : Musée Sorolla — In Copyright
Pendant ce temps, chez Joaquín Sorolla
La vie entière13 avril 1889
Daughter born: María Sorolla García
1890
Moves to Madrid: large canvases for the salons
The family moved to Madrid. For the next decade Sorolla concentrated on large canvases of orientalist, mythological, historical and social subjects for salons and international exhibitions in Madrid, Paris, Venice, Munich, Berlin and Chicago.
8 novembre 1892
Son born: Joaquín Sorolla García
12 juin 1895
Daughter born: Elena Sorolla García
1897
“A Research”: the Prize of Honour in Madrid
Two paintings linking art and science, “Portrait of Dr. Simarro at the Microscope” and “A Research”, won Sorolla the Prize of Honour at the National Exhibition of Fine Arts. He showed his friend Simarro in the laboratory, catching the contrast between the reddish-yellow light of a gas burner and the weak mauvish light from the window.
1900
Grand Prix at the Paris Universal Exposition
“Sad Inheritance”, a huge canvas of crippled children bathing in the sea at Valencia under a monk’s supervision, brought Sorolla his greatest official recognition, the Grand Prix and a medal of honour, and his exhibit as a whole earned him nomination as a Knight of the Legion of Honour. After this picture he never returned to so overtly social a theme.
