Intérieur de tabagie, Brouwer, Adriaen, 2e tiers du XVIIe siècle (vers 1630 - 1632)
Adriaen Brouwer, portraitAdriaen BrouwerFlandre, 1605–1638

Intérieur de tabagie

2e tiers du XVIIe siècle (vers 1630 - 1632) · Peintures

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Où est « Intérieur de tabagie » aujourd’hui ? Musée du Louvre, Salle 857, Aile Richelieu, Niveau 2, Paris. Oui, exposée actuellement. Vérifié 26 septembre 2026.

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Numéro d’inventaire
INV 1070

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  • Musée du Louvre
  • Image : Musée du Louvre — © 2016 GrandPalaisRmn (musée du Louvre) / Tony Querrec

Dans la vie de Adriaen Brouwer

La vie entière
  1. 1631

    Returns to Antwerp and joins the Guild of St Luke

    Brouwer returns to his native Flanders and is registered as a master in the Antwerp Guild of St Luke, even before becoming a citizen of Antwerp. He lived and worked in the city until his death.

  2. 1631–1638

    Debts and want in Antwerp

    Brouwer's name regularly appears in Antwerp records in connection with the settlement of his debts; in his lifetime his paintings did not fetch high prices, and his household goods were seized for his creditors. His fellow artists valued him more highly than the market did: Rubens bought several of his pictures for his collection and tried to extend his patronage to the “incorrigible carouser”.

  3. 1631–1638 · Lieu de travail

    Antwerp

  4. 1633

    Jailed in the Antwerp Citadel

    The reason for the imprisonment is unclear: possibly tax evasion, or perhaps politics, as the local authorities may have considered Brouwer a spy for the Dutch Republic.

  5. 1633

    Meets Joos van Craesbeeck in the Citadel

    The bakery in the Citadel was run by the baker Joos van Craesbeeck, and the two are assumed to have met there. According to the biographer Cornelis de Bie, Craesbeeck became Brouwer's pupil and best friend, which the similarity of his early work to Brouwer's seems to confirm.

  6. 26 April 1634

    Moves into the house of the engraver Paulus Pontius

    Brouwer takes lodgings in the house of the prominent engraver Paulus Pontius; the two had become close friends, and the painter lived there until his death. The same year the friends joined the local chamber of rhetoric “Violieren”.

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