Albert Pinkham RyderÉtats-Unis, 1847–1917Peut-on la contempler ?
Washington, États-Unis
Le propriétaire est connu. Si elle est exposée aujourd’hui, le musée ne le dit pas, et l’on ne nous a pas appris à deviner.
Albert Pinkham Ryder painted with a "wet-on-wet" technique, by adding new layers of thick paint and varnish before the previous ones had a chance to dry. This overloaded the work to such an extent that one visitor described his work as a "boggy, soggy, squitchy picture truly," and some paintings are still soft a hundred years later. At one point, In the Stable was covered with a network of cracks known as alligatoring, the worst of which have since been filled by a conservator. The white horse in the image was modeled after Ryder’s horse Charley, which he owned as a child in New Bedford, Massachusetts. (Broun, Albert Pinkham Ryder, 1989)
Smithsonian American Art Museum