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  1. Collection/
  2. Art Institute of Chicago/
  3. In the Sea
In the Sea, Arnold Böcklin, 1883

In the Sea

1883 · Painting

À propos du tableau

Arnold Böcklin’s art had little in common with Impressionism or the academic art of his time. Instead, his depictions of demigods in naturalistic settings interpret themes from Classical mythology in an idiosyncratic, often sensual manner. In the Sea, part of a series of paintings of mythological subjects, displays an unsettling, earthy realism. Mermaids and tritons frolic in the water with a lusty energy and abandon verging on coarseness. Occupying the center of the composition is a harpplaying triton. Three mermaids have attached themselves to his huge frame as if it were a raft; the one near his shoulder seems to thrust herself upon him. The work’s sense of boisterousness is tempered by the ominously shaped reflection of the triton and mermaids in the sea and by the oddness of the large-eared heads that emerge from the water at the right.

Lire la suite

In addition to imaginative, bizarre interpretations of the Classical world, Böcklin painted mysterious landscapes punctuated by an occasional lone figure. These haunting later works made him an important contributor to the international Symbolist movement. They also appealed to some Surrealist artists, particularly Giorgio de Chirico, who declared, “Each of [Böcklin’s] works is a shock.”

This is one of thirty-five works that comprise the Winterbotham Collection. Click here to learn more about the collection.

Art Institute of Chicago · CC BY 4.0

Autres œuvres : Arnold Böcklin

Toutes les œuvres

Dans la même salle · Gallery 245, Art Institute of Chicago

Page du musée

Sur le même thème · Mythology

Toutes les œuvres sur ce thème

Notice

1883 · à 56 ans
18271901
Numéro d’inventaire
1990.443

Sources

  • Art Institute of Chicago
  • Image : Art Institute of Chicago — CC0
Arnold Böcklin, portraitArnold BöcklinSuisse, 1827–1901

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Art Institute of Chicago

Chicago, États-Unis

Salle245

Présentée au public. Qui s’en porte garant est indiqué ci-dessous.

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Dans cet état depuis
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Source
Le musée
Sur la cartePage du musée
Middelalderligt landskab med borg, Arnold Böcklin, 1868-1871

Middelalderligt landskab med borg

1868-1871 · Statens Museum for Kunst

Ruin by the Sea, Arnold Böcklin, 1881

Ruin by the Sea

1881 · Cleveland Museum of Art

Kentaur und Nymphe in einer Landschaft, Arnold Böcklin

Kentaur und Nymphe in einer Landschaft

Kupferstich-Kabinett

A Cliff Face, Arnold Böcklin, 19th century

A Cliff Face

19th century · National Gallery

Landschaft aus den Pontinischen Sümpfen (unvollendet), Arnold Böcklin, 1851

Landschaft aus den Pontinischen Sümpfen (unvollendet)

1851 · Museum Kunstpalast

Pan und Syrinx, Arnold Böcklin, 1854

Pan und Syrinx

1854 · Albertinum

Schloss am Meer (Mord im Schlossgarten), Arnold Böcklin, 1859

Schloss am Meer (Mord im Schlossgarten)

1859 · Museum Kunstpalast

Der Maler Franz von Lenbach, Arnold Böcklin, 1862

Der Maler Franz von Lenbach

1862 · Österreichische Galerie Belvedere

The Sacred Grove, Beloved of the Arts and the Muses, Pierre Puvis de Chavannes, 1884/89

Pierre Puvis de Chavannes

The Sacred Grove, Beloved of the Arts and the Muses, 1884/89

Earthly Paradise, Pierre Bonnard, 1916–20

Pierre Bonnard

Earthly Paradise, 1916–20

The Girl by the Window, Edvard Munch, 1893

Edvard Munch

The Girl by the Window, 1893

Horsemen of the Apocalypse, Carlo Carrà, 1908

Carlo Carrà

Horsemen of the Apocalypse, 1908

Fisherman's Cottage, Harald Oscar Sohlberg, 1906

Harald Sohlberg

Fisherman's Cottage, 1906

Still Life with Flowers, Odilon Redon, 1905

Odilon Redon

Still Life with Flowers, 1905

Still Life with Fish and Shells, James Ensor, 1898

Ensor, James

Still Life with Fish and Shells, 1898

Pardon in Brittany, Gaston La Touche, 1896

Gaston Latouche

Pardon in Brittany, 1896

Sculptor, Reclining Model, and Self-Portrait in the Form of a Sculpted Hercules (Sculpteur, modèle couché et autoportrait en Hercule sculpté), Pablo Picasso, 1933

Pablo Picasso

Sculptor, Reclining Model, and Self-Portrait in the Form of a Sculpted Hercules (Sculpteur, modèle couché et autoportrait en Hercule sculpté), 1933

Non exposée · National Gallery of Art

Lucretia, Rembrandt van Rijn, 1664

Rembrandt van Rijn

Lucretia, 1664

National Gallery of Art

Los and His Spectre [verso], William Blake, c. 1804/1807

William Blake

Los and His Spectre [verso], c. 1804/1807

Non exposée · National Gallery of Art

Mythological Scene (Sword Fight between a Woman and a Man), Mark Rothko

Mark Rothko

Mythological Scene (Sword Fight between a Woman and a Man)

Non exposée · National Gallery of Art

Baroque Centaur (Barocker Kentaur), Paul Klee, 1939

Paul Klee

Baroque Centaur (Barocker Kentaur), 1939

Non exposée · National Gallery of Art

Study for "Apollo and the Muses", John Singer Sargent, c. 1921

John Singer Sargent

Study for "Apollo and the Muses", c. 1921

Non exposée · National Gallery of Art

Study of Apollo for "Apollo and the Muses", John Singer Sargent, c. 1921

John Singer Sargent

Study of Apollo for "Apollo and the Muses", c. 1921

Non exposée · National Gallery of Art

Study for "Classic and Romantic Art", John Singer Sargent, c. 1921

John Singer Sargent

Study for "Classic and Romantic Art", c. 1921

Non exposée · National Gallery of Art

Ce qu’elle montre

MythologyNuSeashellsReflectionsCloudsHarpsMermenMusical instrumentsSeasEauMermaidsMythological figures

Au catalogue

PeinturesHuileImpressionnismeXIXe siècleSuisse