Het martelaarschap van Simon

1632 - 1634 · Print

Peut-on la contempler ?

Inconnu

Rijksmuseum Amsterdam

Amsterdam, Pays-Bas

Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.

Source: Le musée

Sur la carte Page du musée

À propos de l’œuvre

Selon le musée — en néerlandais

Simon wordt door midden gezaagd in het bijzijn van vele toeschouwers. Boven deze scène is Simon nogmaals afgebeeld, op een wolk in de hemel, een zaag in de hand. Onder de voorstelling een onderschrift in Latijn. Deze prent is onderdeel van een reeks van 16 prenten, bestaande uit een titelblad en 15 voorstellingen van de martelingen die de apostelen hebben ondergaan.

Rijksmuseum Amsterdam

Notice

Numéro d’inventaire: RP-P-OB-4796

Ce qu’elle montre

Martyrdom and death of Simon Zelotes: he is sawn in two, or beaten to death The apostle Simon Zelotes (or Simon the Canaanite)Possible attributes: book, saw, scroll - martyrdom, suffering, misfortune, death of male saint

Au catalogue

Estampes Baroque XVIIe siècle

Sources

Rijksmuseum Amsterdam
Image : Rijksmuseum Amsterdam — public domain

Pendant ce temps, chez Jacques Callot

La vie entière

1621–1635 · Lieu de travail
Nancy
1629–1630
Declines to serve Louis XIII
King Louis XIII of France offers Callot a place at his court, but the artist declines; by one account, as a patriot of Lorraine he could not forgive the king for the devastation of his homeland by French troops.
1629–1630
Lives and works in Paris
From 1629 Callot lives and works in Paris, where his clients include publishers, mostly Parisian; overall he is commissioned by the courts of Lorraine, France and Spain.
c. 1630
Meets Abraham Bosse
The meeting of the Parisian Abraham Bosse with Callot around 1630 makes Bosse his follower: he will later spread the master’s technical innovations across Europe in the first published manual of etching, translated into several languages.
1633
The French invasion of Lorraine
In the year the large series of the “Miseries of War” is published, Lorraine is invaded by the French during the Thirty Years’ War; Callot’s etchings of pillaging, executions and the lot of crippled beggars are counted among the most powerful artistic statements of the inhumanity of war and will later inspire Goya.
25 mars 1635
Died