Great Cannon Game, John Tenniel, 1863
John Tenniel, portraitJohn TennielRoyaume-Uni, 1820–1914

Great Cannon Game

1863 · Print

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National Portrait Gallery

Washington, États-Unis

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Le musée

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Numéro d’inventaire
S/NPG.78.165

Ce qu’elle montre

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Dans la vie de John Tenniel

La vie entière
  1. 1860s

    Cartoons against Irish nationalism

    His cartoons of the 1860s popularised a portrait of the Irishman as a sub-human being resembling an orangutan. Many of his cartoons were hostile to Irish nationalism: the Fenians and the Land League appeared as monstrous ape-like brutes, and Ireland as a helpless girl protected by an armoured Britannia.

  2. 1861

    Offered Leech’s place at “Punch”

    Tenniel was offered John Leech’s position as political cartoonist of “Punch”. Amid the heated social and political issues of the day he kept a sense of decorum and restraint.

  3. 1864

    Meets Lewis Carroll

    Carroll had wanted to illustrate “Alice’s Adventures in Wonderland”, already set in type, himself, but his drawing was amateurish, and the publisher Alexander Macmillan advised him to approach Tenniel (by other accounts it was the engraver Orlando Jewitt who suggested hiring a professional). Having read the text, Tenniel agreed to make forty-two illustrations — the number Carroll insisted on.

  4. 1864

    Chief cartoonist of “Punch” after Leech’s death

    When John Leech died, Tenniel became chief cartoonist of “Punch” and carried on their work alone, rarely missing a single week. His drawings followed the wishes of the magazine’s editors and could be scathing.

  5. December 1865

    A rejected print run — then a best-seller

    Because Tenniel objected to the print quality, the first run of 2,000 copies of “Alice” was not sold in England but in the United States (by other accounts it was destroyed, apart from the advance copies). A new edition came out in December 1865, dated 1866, became an instant best-seller and increased Tenniel’s fame.

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