Grave Relief of a Silversmith, first quarter of 1st century A.D.

Grave Relief of a Silversmith

first quarter of 1st century A.D. · Relief · 79.9 × 58.5 cm

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Où est « Grave Relief of a Silversmith » aujourd’hui ? Villa Getty, Getty Villa, Gallery 209, Early Roman Sculpture, Los Angeles. Oui, exposée actuellement. Vérifié 5 octobre 2026.

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Los Angeles, États-Unis

SalleGetty Villa, Gallery 209, Early Roman Sculpture

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À propos de la sculpture

"Publius Curtilius Agatho, freedman of Publius, and silversmith" reads the inscription on this Roman funerary relief. Portraits such as this one were placed in the facades of family tombs lining the roads out of Rome, advertising the social and professional status of the deceased to all who passed by. The portrait's format and style are typical of the funerary reliefs commissioned by freed slaves. Beginning in the 100s B.C., slaves were brought to Rome in large numbers. Publius Curtilius Agatho took his first names from his Roman master, but his last is Greek, meaning "good". Like many slaves he was a skilled professional and he appears here in his role as a silversmith, making a small cup. Portraits of freed slaves in this period often show a combination of styles.

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The face of Publius Curtilius Agatho, with hollow cheeks, furrowed brow, and deep naso-labial folds, harks back to a "warts and all" style of portraiture favored by nobles in the Roman Republic. The hair, however, is an up-to-date Augustan court style. In portraits like this one, freed slaves used an aristocratic but old-fashioned visual vocabulary to express their new status as Romans.

Villa Getty

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Numéro d’inventaire
96.AA.40

Au catalogue

Sources

  • Villa Getty
  • Image : Villa Getty — J. Paul Getty Museum (Open Content)

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