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  1. Collection/
  2. Art Institute of Chicago/
  3. Grass and Pool
Grass and Pool, Ansel Adams, c. 1935, printed 1959
Ansel Adams, portraitAnsel AdamsÉtats-Unis, 1902–1984

Grass and Pool

c. 1935, printed 1959 · Photograph

Notice

c. 1935, printed 1959
19021984
Numéro d’inventaire
1960.374

Pendant ce temps, chez Ansel Adams

La vie entière
  1. 1936

    Solo show at Stieglitz's gallery in New York

    Gathering his recent work, Adams holds a solo show in 1936 at Stieglitz's New York gallery “An American Place.” The exhibition proves successful with both critics and the buying public, and the revered Stieglitz himself praises Adams warmly.

  2. 1938

    “Sierra Nevada: The John Muir Trail”

    In 1938 Adams creates the limited-edition book “Sierra Nevada: The John Muir Trail,” part of the Sierra Club's effort to secure national-park status for Kings Canyon. The book and his testimony before Congress play a vital role in the success of that campaign.

  3. 1939–1942

    The Zone System, with Fred Archer

    While teaching at the Art Center School in Los Angeles, Adams and the portrait photographer Fred Archer develop the Zone System — a calibrated scale of brightness, based on sensitometry, from Zone 0 (black) to Zone X (white) that lets the photographer determine in advance how the film must be exposed, developed and printed. The date is given variously as around 1939–1940 or as 1942.

  4. 1940

    Helps establish MoMA's photography department

    In 1940, together with the trustee David H. McAlpin and the curator Beaumont Newhall, Adams helps establish a photography department at the Museum of Modern Art in New York — the first at a major American art museum — acting as McAlpin's and Newhall's chief advisor. On December 31, 1940 the department opens with the exhibition “Sixty Photographs: A Survey of Camera Esthetics,” which took aesthetic quality as its guiding principle.

Autres œuvres : Ansel Adams

Toutes les œuvres

Sous le même toit : Art Institute of Chicago

Page du musée

Sur le même thème · Collected by Hugh Edwards

Toutes les œuvres sur ce thème

1945–1946

The first fine-art photography department in the US

Adams is asked to form the first fine-art photography department in the United States at the California School of Fine Arts (now the San Francisco Art Institute) — in 1945 or 1946. He invites Dorothea Lange, Imogen Cunningham and Edward Weston as guest lecturers and Minor White as principal instructor.

  • 1952

    Co-founding the magazine “Aperture”

    In 1952 Adams is one of the founders of the magazine “Aperture,” conceived as a serious journal of photography displaying its best practitioners and newest innovations. He also contributes to Arizona Highways, where his article on Mission San Xavier del Bac, with text by his longtime friend Nancy Newhall, grows into a book published in 1954 — the first of their many collaborations.

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    Art Institute of Chicago

    Chicago, États-Unis

    Elle appartient à la collection, mais n’est pas présentée en ce moment.

    Vérifié
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    Dans cet état depuis
    19 août 2026
    Source
    Le musée
    Sur la cartePage du musée

    Ce qu’elle montre

    Collected by Hugh Edwards

    Au catalogue

    PhotographiesTirage gélatino-argentiqueModernismeXXe siècleÉtats-Unis

    Sources

    • Art Institute of Chicago
    • Image : Art Institute of Chicago — © the artist or rights holder
    Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

    Rock, Bakers Beach, San Francisco, California

    c. 1931 · Museum of Modern Art

    Bridgeport Valley, Flooded Meadow, Ansel Adams, n.d.

    Bridgeport Valley, Flooded Meadow

    n.d. · Non exposée · Museum of Modern Art

    Leaves, near Bishop, California, Ansel Adams, n.d.

    Leaves, near Bishop, California

    n.d. · Non exposée · Museum of Modern Art

    From Glacier Point, Yosemite, Ansel Adams, n.d.

    From Glacier Point, Yosemite

    n.d. · Non exposée · Museum of Modern Art

    Cliffs in Paradise Valley, Ansel Adams, n.d.

    Cliffs in Paradise Valley

    n.d. · Non exposée · Museum of Modern Art

    Sierra Juniper, Ansel Adams, n.d.

    Sierra Juniper

    n.d. · Non exposée · Museum of Modern Art

    Door, Abandoned Church, Sierra Foothills, Ansel Adams, n.d.

    Door, Abandoned Church, Sierra Foothills

    n.d. · Non exposée · Museum of Modern Art

    Rocks, Sierra Foothills, California, Ansel Adams, n.d.

    Rocks, Sierra Foothills, California

    n.d. · Non exposée · Museum of Modern Art

    The Bedroom, Vincent van Gogh, 1889

    Vincent van Gogh

    The Bedroom, 1889

    A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

    Georges Seurat

    Un dimanche après-midi à l'Île de la Grande Jatte, 1884–86, border added 1888–89

    Paris Street; Rainy Day, Gustave Caillebotte, 1877

    Gustave Caillebotte

    Rue de Paris, temps de pluie, 1877

    Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

    Pierre-Auguste Renoir

    Les Deux Sœurs, 1881

    The Basket of Apples, Paul Cézanne, c. 1893

    Paul Cézanne

    La Corbeille de pommes, c. 1893

    Stacks of Wheat (End of Summer), Claude Monet, 1890–91

    Claude Monet

    Stacks of Wheat (End of Summer), 1890–91

    American Gothic, Grant Wood, 1930

    Grant Wood

    American Gothic, 1930

    Nighthawks, Edward Hopper, 1942

    Edward Hopper

    Nighthawks, 1942

    Alabama Cotton Tenant Farmer's Wife, Walker Evans, 1936, printed c. 1962

    Walker Evans

    Alabama Cotton Tenant Farmer's Wife, 1936, printed c. 1962

    Non exposée · Art Institute of Chicago

    Fourth of July, Jay, New York, Robert Frank, 1954

    Robert Frank

    Fourth of July, Jay, New York, 1954

    Non exposée · Art Institute of Chicago

    Portrait of Annette Rosenshine, Ansel Adams, 1932

    Ansel Adams

    Portrait of Annette Rosenshine, 1932

    Non exposée · Art Institute of Chicago

    Train Interior, Oaxaca, Mexico, Elizabeth Timberman, 1940/59

    Elizabeth Timberman

    Train Interior, Oaxaca, Mexico, 1940/59

    Non exposée · Art Institute of Chicago

    Ruined Mosque Near Philæ, Francis Frith, 1857

    Francis Frith

    Ruined Mosque Near Philæ, 1857

    Non exposée · Art Institute of Chicago

    City Wall and Mosque of Omar, Jerusalem, Francis Frith, 1857

    Francis Frith

    City Wall and Mosque of Omar, Jerusalem, 1857

    Non exposée · Art Institute of Chicago

    Late Afternoon Shadows, Johan Hagemeyer, 1922

    Johan Hagemeyer

    Late Afternoon Shadows, 1922

    Non exposée · Art Institute of Chicago

    Interior Court of Medinet Habbo, Thebes, Francis Frith, 1857

    Francis Frith

    Interior Court of Medinet Habbo, Thebes, 1857

    Non exposée · Art Institute of Chicago