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  1. Collection/
  2. National Gallery of Art/
  3. Gloucester Fishing
Gloucester Fishing, Gordon Parks, 1942, printed later
Gordon Parks, portraitGordon ParksÉtats-Unis, 1912–2006

Gloucester Fishing

1942, printed later · Photograph

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

National Gallery of Art

Washington, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
il y a 3 jours
Dans cet état depuis
19 août 2026
Source
Le musée
Sur la cartePage du musée

Notice

1942, printed later · à 30 ans
19122006
Numéro d’inventaire
2016.117.108

Ce qu’elle montre

Daily lifeFishermenSeagullsWorkers

Au catalogue

PhotographiesTirage gélatino-argentiqueModernismeXXe siècleAmerican

Sources

  • National Gallery of Art
  • Image : National Gallery of Art — © the artist or rights holder

Pendant ce temps, chez Gordon Parks

La vie entière
  1. c. 1940 (aged 28)

    Buys his first camera and teaches himself to shoot

    Struck by magazine photographs of migrant workers, at twenty-eight he buys a Voigtländer Brillant for $12.50 at a Seattle pawnshop and teaches himself photography. The clerks who develop his first roll of film applaud his work and urge him to seek a fashion assignment at Frank Murphy’s women’s clothing store in St. Paul.

  2. 1940

    Moves to Chicago on Marva Louis’s advice

    His photographs for the St. Paul store catch the eye of Marva Louis, wife of heavyweight boxing champion Joe Louis, who encourages Parks and his wife Sally Alvis to move to Chicago. There he opens a portrait business and specialises in photographs of society women.

  3. 1940

    Daughter born: Toni Parks

  4. 1941

    Exhibition of photographs of Chicago’s Black ghetto

    While chronicling the South Side Black ghetto of Chicago, he sees an exhibition of these photographs win him a photography fellowship with the Farm Security Administration (FSA); other accounts link his invitation to the FSA to the Rosenwald Fellowship of 1942.

  5. 1942

    Receives the Rosenwald Fellowship

    The Julius Rosenwald Fellowship, $200 a month with the choice of employer, rewards his work in Chicago, especially his capturing of the myriad experiences of African Americans across the city. It contributes to his being asked to join the FSA, which under Roy Stryker was chronicling the nation’s social conditions.

  6. c. 1942

    Stryker calls the picture an indictment of America

    Seeing the photograph, Stryker says it is an indictment of America that could get all of his photographers fired, and urges Parks to keep working with Watson, which leads to a series of pictures of her daily life. Parks later says his first image was overdone and not subtle.

Autres œuvres : Gordon Parks

Toutes les œuvres
Washington, D.C. Government Charwoman (American Gothic), Gordon Parks, July 1942, printed later

Washington, D.C. Government Charwoman (American Gothic)

July 1942, printed later · National Gallery of Art

Off on My Own, Harlem, New York, Gordon Parks, 1948, printed 2019

Off on My Own, Harlem, New York

1948, printed 2019 · Non exposée · National Gallery of Art

Doll Test, Harlem, New York, Gordon Parks, 1947, printed 2019

Doll Test, Harlem, New York

1947, printed 2019 · Non exposée · National Gallery of Art

Langston Hughes, Chicago, Gordon Parks, December 1941

Langston Hughes, Chicago

December 1941 · Non exposée · National Gallery of Art

Langston Hughes, Chicago, Gordon Parks, December 1941, printed later

Langston Hughes, Chicago

December 1941, printed later · Non exposée · National Gallery of Art

Self-Portrait, Gordon Parks, 1941

Self-Portrait

1941 · Non exposée · National Gallery of Art

Marva Louis, Chicago, Gordon Parks, 1941

Marva Louis, Chicago

1941 · Non exposée · National Gallery of Art

Washington (southwest section), D.C. Negro woman in her bedroom, Gordon Parks, November 1942, printed later

Washington (southwest section), D.C. Negro woman in her bedroom

November 1942, printed later · Non exposée · National Gallery of Art

Sous le même toit : National Gallery of Art

Page du musée
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Portrait de Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Jeune Fille en blanc, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Ferme en Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888