Jacques CallotFrance, 1592–1635Frontispiece, from Solimano
Peut-on la contempler ?
Elle ne reçoit pas en ce moment
Art Institute of Chicago
Chicago, États-Unis
Elle appartient à la collection, mais n’est pas présentée en ce moment.
- Vérifié
- Dans cet état depuis
- Source
- Les données de collection du musée lui-même
Notice
- Numéro d’inventaire
- 1925.4023
Au catalogue
Sources
- Art Institute of Chicago: the museum's own open data · obtenue il y a 7 jours
- Image : Art Institute of Chicago — CC0
Pendant ce temps, chez Jacques Callot
La vie entière1611–1621 · Lieu de travail
Florence
1614–1621
At the court of Cosimo II de’ Medici
Under Parigi’s direction Callot works at the court of the Grand Duke of Tuscany Cosimo II de’ Medici in the Uffizi, designing festivals and theatrical performances — later these give him themes for his series of grotesque prints; during his Florentine years he becomes an independent master and often works for the Medici.
1621
Returns to Nancy after the death of Cosimo II
After the death of Grand Duke Cosimo II de’ Medici, Callot responds to Duke Charles IV of Lorraine’s wish to see him at his court and returns to Lorraine, where he is received with flattering honours; staying in Nancy, he sends his prints all over Europe, and Rembrandt becomes a keen collector of them.
1621–1635 · Lieu de travail
Nancy
