ART WIKI32 963 en salle
CarteCollectionArtistesMuséesExpositionsJournal
Connexion

ART WIKI

Où est accroché le chef-d’œuvre, et quand on vous laisse entrer.

Collections : Art Institute of Chicago, Cleveland Museum of Art, Galerie Tretiakov, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Metropolitan Museum of Art, Minneapolis Institute of Art, Musée de l'Ermitage, Musée des Beaux-Arts Pouchkine, Musée du Louvre, musée national d'art asiatique, Musée russe, Musées d'Art de Harvard, Museum of Modern Art, National Gallery of Art, National Portrait Gallery, Rijksmuseum Amsterdam, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Catalogue d’État du fonds muséal de Russie (274 musées), Europeana (19 musées), Wikidata (6 musées), Paris Musées (12 musées) et Joconde, la base des musées du ministère de la Culture (495 musées). Les images appartiennent à leurs ayants droit.

Rubriques

  • Carte
  • Recherche
  • Collection
  • Chefs-d’œuvre
  • Exposées en ce moment
  • Artistes

Et aussi

  • Musées et galeries
  • Expositions
  • Journal
  • D’où viennent les données
  • Confidentialité et cookies
AccueilCarteCatalogue
  1. Collection/
  2. National Gallery of Art/
  3. Fresh Eggs
Fresh Eggs, Winslow Homer, 1874
Winslow Homer, portraitWinslow HomerÉtats-Unis, 1836–1910

Fresh Eggs

1874 · Drawing

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

National Gallery of Art

Washington, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
il y a 3 jours
Dans cet état depuis
19 août 2026
Source
Le musée
Sur la cartePage du musée

Notice

1874 · à 38 ans
18361910
Numéro d’inventaire
1994.59.26

Ce qu’elle montre

FemaleDomestic activitiesRoosterBarn interior

Au catalogue

Dessins et aquarellesAquarelleRéalismeImpressionnismeXIXe siècleAmericanRealist

Sources

  • National Gallery of Art
  • Image : National Gallery of Art — Museum open access

Pendant ce temps, chez Winslow Homer

La vie entière
  1. summer 1873

    Summer in Gloucester: watercolour begins

    In the summer of 1873 in Gloucester Homer began painting in watercolour regularly, naturally and confidently from the start; critics were puzzled at first (“A child with an ink bottle could not have done worse”), but the watercolours sold more readily and considerably improved his finances. From then on he seldom travelled without paper, brushes and water-based paints.

  2. 1875

    Gives up illustration for painting

    In 1875 Homer, after nearly twenty years as an illustrator, quit commercial illustration and vowed to live on his paintings and watercolours alone. Despite his excellent critical reputation, his finances remained precarious.

  3. 1876

    The Centennial Exposition in Philadelphia

    “Snap the Whip” and “Breezing Up” were shown at the Centennial Exposition; the New York Tribune wrote that it could not remember a picture in any exhibition that could be named alongside “Breezing Up”. Henry James confessed that he detested Homer's subjects of the time, yet “to reward his audacity, he has incontestably succeeded”.

  4. c. 1876

    Visits to Virginia

    Around 1876 Homer visited Petersburg, Virginia (apparently to see what had become of the lives of former slaves), and painted rural African American life, the most unaffected views of it at the time, such as “Dressing for the Carnival” (1877).

Autres œuvres : Winslow Homer

Toutes les œuvres
The Veteran in a New Field, Winslow Homer, 1865

The Veteran in a New Field

1865 · Metropolitan Museum of Art

The Gulf Stream, Winslow Homer, 1899; reworked by 1906

The Gulf Stream

1899; reworked by 1906 · Metropolitan Museum of Art

Home, Sweet Home, Winslow Homer, c. 1863

Home, Sweet Home

c. 1863 · National Gallery of Art

Prisoners from the Front, Winslow Homer, 1866

Prisoners from the Front

1866 · Metropolitan Museum of Art

The Studio, Winslow Homer, 1867

The Studio

1867 · Metropolitan Museum of Art

Coming through the Rye, Winslow Homer, 1867

Coming through the Rye

1867 · Metropolitan Museum of Art

The Dinner Horn (Blowing the Horn at Seaside), Winslow Homer, 1870

The Dinner Horn (Blowing the Horn at Seaside)

1870 · National Gallery of Art

Rainy Day in Camp, Winslow Homer, 1871

Rainy Day in Camp

1871 · Metropolitan Museum of Art

Sous le même toit : National Gallery of Art

Page du musée
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Portrait de Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Jeune Fille en blanc, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Ferme en Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Sur le même thème · Female

Toutes les œuvres sur ce thème
Mrs. Gunn on Porch, Independence, California, Ansel Adams, 1944, printed 1981

Ansel Adams

Mrs. Gunn on Porch, Independence, California, 1944, printed 1981

Non exposée · National Gallery of Art

Spanish American Woman, near Chimayo, New Mexico, Ansel Adams, 1937, printed 1981

Ansel Adams

Spanish American Woman, near Chimayo, New Mexico, 1937, printed 1981

Non exposée · National Gallery of Art

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Portrait de Ginevra de' Benci, c. 1474/1478

National Gallery of Art

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Jeune Fille en blanc, 1890

National Gallery of Art

Nude in the Studio, Pablo Picasso, 1936/1937

Pablo Picasso

Nude in the Studio, 1936/1937

Non exposée · National Gallery of Art

Woman at the Seashore (Femme au bord de la mer), Pablo Picasso, 1923 or 1924

Pablo Picasso

Woman at the Seashore (Femme au bord de la mer), 1923 or 1924

Non exposée · National Gallery of Art

Variation on Delacroix's "Women of Algiers": IX, Pablo Picasso, 1955

Pablo Picasso

Variation on Delacroix's "Women of Algiers": IX, 1955

Non exposée · National Gallery of Art

Variation on Delacroix's "Women of Algiers": IV, Pablo Picasso, 1955

Pablo Picasso

Variation on Delacroix's "Women of Algiers": IV, 1955

Non exposée · National Gallery of Art