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  1. Collection/
  2. National Gallery of Art/
  3. Forest Interior with a Waterfall, Papigno
Forest Interior with a Waterfall, Papigno, André Giroux, 1825/1830

Forest Interior with a Waterfall, Papigno

1825/1830 · Painting

Notice

1825/1830
18011879
Numéro d’inventaire
1994.52.4

Autres œuvres : André Giroux

Toutes les œuvres

Dans la même salle · M-092, National Gallery of Art

Page du musée

Sur le même thème · Italie

Toutes les œuvres sur ce thème
AAndré GirouxFrance, 1801–1879

Peut-on la contempler ?

Oui, elle reçoit

National Gallery of Art

Washington, États-Unis

Salle92 · Bâtiment ouest, étage principal

Présentée au public. Qui s’en porte garant est indiqué ci-dessous.

Vérifié
il y a 3 jours
Dans cet état depuis
19 août 2026
Source
Le musée
Sur la cartePage du musée

Ce qu’elle montre

ItalieWaterwayChute d'eauPapigno

Au catalogue

PeinturesHuilePeinture françaiseNéoclassicismeRomantismeXIXe siècleFrenchRomantic

Sources

  • National Gallery of Art
  • Image : National Gallery of Art — Museum open access
Forest Interior with a Painter, Civita Castellana, André Giroux, 1825/1830

Forest Interior with a Painter, Civita Castellana

1825/1830 · National Gallery of Art

Santa Trinità dei Monti in the Snow, André Giroux, 1825/1830

Santa Trinità dei Monti in the Snow

1825/1830 · National Gallery of Art

Paysage prés de Tivoli Aquapendente, Giroux, André, XIXe siècle (1800 - 1900)

Paysage prés de Tivoli Aquapendente

XIXe siècle (1800 - 1900) · Musée du Louvre

Sentier à Corpo di Casa, Giroux, André, XIXe siècle (1800 - 1900)

Sentier à Corpo di Casa

XIXe siècle (1800 - 1900) · Musée du Louvre

Vue de la baie de Naples depuis Ischia, Giroux, André, XIXe siècle (1800 - 1900)

Vue de la baie de Naples depuis Ischia

XIXe siècle (1800 - 1900) · Musée du Louvre

Trees, André Giroux, c. 1855

Trees

c. 1855 · Non exposée · National Gallery of Art

Landscape, André Giroux, 19th century

Landscape

19th century · Non exposée · Musées d'Art de Harvard

Landscape, André Giroux, 19th century

Landscape

19th century · Non exposée · Musées d'Art de Harvard

Calm Sea, Gustave Courbet, 1866

Gustave Courbet

Calm Sea, 1866

The Black Rocks at Trouville, Gustave Courbet, 1865/1866

Gustave Courbet

The Black Rocks at Trouville, 1865/1866

Portrait of a Young Girl, Jean-Baptiste-Camille Corot, 1850 or 1859

Camille Corot

Portrait of a Young Girl, 1850 or 1859

The Island and Bridge of San Bartolomeo, Rome, Jean-Baptiste-Camille Corot, 1825/1828

Camille Corot

The Island and Bridge of San Bartolomeo, Rome, 1825/1828

Italian Peasant Boy, Jean-Baptiste-Camille Corot, 1825/1827

Camille Corot

Italian Peasant Boy, 1825/1827

The Beach at Villerville, Eugène Boudin, 1864

Eugène Boudin

The Beach at Villerville, 1864

Beach at Trouville, Eugène Boudin, 1864/1865

Eugène Boudin

Beach at Trouville, 1864/1865

Beach Scene, Eugène Boudin, 1862

Eugène Boudin

Beach Scene, 1862

Palazzo da Mula, Venice, Claude Monet, 1908

Claude Monet

Palazzo da Mula, Venice, 1908

National Gallery of Art

Landscape with Large Roman Ruins, Schelte Adams Bolswert after Sir Peter Paul Rubens, c. 1638

Peter Paul Rubens

Landscape with Large Roman Ruins, c. 1638

Non exposée · National Gallery of Art

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., Allen Ginsberg, 1957, printed 1995

Allen Ginsberg

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., 1957, printed 1995

Non exposée · National Gallery of Art

Venice: The Dogana and San Giorgio Maggiore, Joseph Mallord William Turner, 1834

Joseph Mallord William Turner

Venice: The Dogana and San Giorgio Maggiore, 1834

National Gallery of Art

The Dogana and Santa Maria della Salute, Venice, Joseph Mallord William Turner, 1843

Joseph Mallord William Turner

The Dogana and Santa Maria della Salute, Venice, 1843

Non exposée · National Gallery of Art

Approach to Venice, Joseph Mallord William Turner, 1844

Joseph Mallord William Turner

Approach to Venice, 1844

National Gallery of Art

The Villa Imperiale, Venetian 16th Century, Probably Titian, 1530s

Titian

The Villa Imperiale, 1530s

Non exposée · National Gallery of Art

Landscape with a Mill, Dominique Barrière after Titian, c. 1650

Titian

Landscape with a Mill, c. 1650

Non exposée · National Gallery of Art