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  1. Collection/
  2. Art Institute of Chicago/
  3. Fitzroy Square
Fitzroy Square, James McNeill Whistler, 1878/1881
James Abbott McNeill Whistler, portraitJames Abbott McNeill WhistlerÉtats-Unis, 1834–1903

Fitzroy Square

1878/1881 · Print

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Art Institute of Chicago

Chicago, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
il y a 3 jours
Dans cet état depuis
19 août 2026
Source
Le musée
Sur la cartePage du musée

Notice

1878/1881
18341903
Numéro d’inventaire
1933.667b

Au catalogue

EstampesEau-forteRéalismeImpressionnismeXIXe siècleÉtats-Unis

Sources

  • Art Institute of Chicago
  • Image : Art Institute of Chicago — CC0

Pendant ce temps, chez James Abbott McNeill Whistler

La vie entière
  1. 1877

    Libel Suit Against Ruskin

    In 1877 Whistler sued the critic John Ruskin, who had condemned his "Nocturne in Black and Gold: The Falling Rocket," demanding 1,000 pounds in damages. Because of the criticism, his works fell out of favour.

  2. 25 – 26 November 1878

    The Trial of Whistler v. Ruskin

    On 25–26 November 1878 the suit was heard in the High Court. The jury returned a verdict in Whistler's favour but awarded damages of one farthing, and costs were split between the parties.

  3. 8 May 1879

    Bankruptcy

    Legal costs and debts from the construction of the White House on Tite Street forced Whistler to declare bankruptcy on 8 May 1879; his collection, possessions, and house went to auction.

  4. September 1879

    Trip to Venice

    After the trial, Whistler accepted a commission for twelve etchings and arrived in Venice in September 1879. The three-month trip stretched to fourteen months: over 50 etchings, nocturnes, and more than 100 pastels.

  5. January 1881

    Mother's Death; the Name McNeill

    In January 1881 the artist's mother, Anna Whistler, died. In her honour he adopted her maiden name, "McNeill," as his middle name.

Autres œuvres : James Abbott McNeill Whistler

Toutes les œuvres
Symphony in White, No. 1: The White Girl, James McNeill Whistler, 1861-1863, 1872

Symphonie en blanc n°1 : la jeune fille en blanc

1861-1863, 1872 · National Gallery of Art

Battersea Reach, James McNeill Whistler, c. 1863

Battersea Reach

c. 1863 · National Gallery of Art

Cremorne Gardens, No. 2, James McNeill Whistler, ca. 1870–80

Cremorne Gardens, No. 2

ca. 1870–80 · Metropolitan Museum of Art

The Seashore, James Abbott McNeill Whistler, 1883–85

The Seashore

1883–85 · Minneapolis Institute of Art

Arrangement in Flesh Colour and Black: Portrait of Theodore Duret, James McNeill Whistler, 1883

Arrangement in Flesh Colour and Black: Portrait of Theodore Duret

1883 · Metropolitan Museum of Art

Alice Butt, James McNeill Whistler, c. 1895

Alice Butt

c. 1895 · National Gallery of Art

Violet and Silver—The Deep Sea, James McNeill Whistler, 1893

Violet and Silver—The Deep Sea

1893 · Art Institute of Chicago

Trouville (Grey and Green, the Silver Sea), James McNeill Whistler, 1865

Trouville (Grey and Green, the Silver Sea)

1865 · Art Institute of Chicago

Sous le même toit : Art Institute of Chicago

Page du musée
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Un dimanche après-midi à l'Île de la Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Rue de Paris, temps de pluie, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Les Deux Sœurs, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

La Corbeille de pommes, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942