
Alfred StieglitzÉtats-Unis, 1864–1946Peut-on la contempler ?
Chicago, États-Unis
Elle appartient à la collection, mais n’est pas présentée en ce moment.
In this photograph, a stratus cloud, caught like a burst of light against a dark surface, animates the image with a sense of excitement, awe, and perhaps even revelation. The pho-tographer, Alfred Stieglitz, began to photograph clouds in 1922, tilting his camera toward the sky to produce dizzying, nearly abstract images of their fleeting configurations. Over the next decade Stieglitz produced some 350 cloud studies, which he called Equivalents. For Stieglitz, the series was both a technical and an aesthetic challenge. He maintained that these cloud photographs did not just fix ever-changing forms but also expressed pure emotion, even attributing to them the evocative power of music.
Art Institute of ChicagoCC BY 4.0
late 1924
27 photographs for the Boston Museum of Fine Arts
At the end of 1924 Stieglitz donated 27 photographs to the Boston Museum of Fine Arts, the first time a major museum included photographs in its permanent collection.
1924
Divorce from Emmy
In 1924 Stieglitz's divorce was finally approved by a judge, and within four months he and O'Keeffe married in a small private ceremony at John Marin's house, with no reception or honeymoon. O'Keeffe later said they married to help soothe the troubles of his daughter Kitty, then being treated in a sanatorium for depression.
1924
The Royal Photographic Society's Progress Medal
In 1924 the Royal Photographic Society awarded Stieglitz its Progress Medal for advancing photography and made him an Honorary Fellow.
11 décembre 1924
Married: Georgia O'Keeffe
1925
The “Seven Americans” exhibition
In 1925 the Anderson Galleries invited Stieglitz to put together one of the largest exhibitions of American art, 159 works by Arthur G. Dove, Marsden Hartley, John Marin, Charles Demuth, Paul Strand, Georgia O'Keeffe and Stieglitz himself. Only one small painting by O'Keeffe sold during the three-week show.