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  1. Collection/
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  3. Enemy Airdrome at Mars-la-Tours
Enemy Airdrome at Mars-la-Tours, Edward Steichen, August, 1918
Edward Steichen, portraitEdward SteichenÉtats-Unis, 1879–1973

Enemy Airdrome at Mars-la-Tours

August, 1918 · Photograph

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Art Institute of Chicago

Chicago, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
il y a 3 jours
Dans cet état depuis
19 août 2026
Source
Le musée
Sur la cartePage du musée

À propos de l’œuvre

Edward Steichen was one of the most influential photographers of the 20th century—a pioneering champion of art photography and an innovator in fashion and commercial photography. Lesser known, however, is his important role in World War I, as chief of the Photographic Section of the American Expeditionary Forces (AEF) from 1917 to 1919. Steichen, who had come to regard France as a second homeland after living there from 1906 to 1914, was quick to enlist once the United Statesa officially entered the war in 1917. Though at 38 he was eight years older than the Signal Corps age limit, his experience as a photographer made him a valuable recruit, and he entered active duty in July 1917 as a first lieutenant.

Lire la suite

World War I, sometimes called the first “modern” war, was marked by groundbreaking advances in technology, including photography. Steichen intended to be “a photographic reporter, as Mathew Brady had been in the Civil War,” but he quickly abandoned this romantic notion to help implement one of the newest weapons—aerial photography. Taking images from airplanes made it possible not only to observe a wide swath of the battlefield but also to track daily changes on the front lines.

Steichen was assigned to the newly formed Photographic Section, led by Major James Barnes, and together they oversaw the training and outfitting of aerial-photography and surveillance units that proved their usefulness over the course of the war. Steichen also worked to standardize cameras, materials, and formats across the various national armies in order to simplify cooperation among the Allied forces.

This album was assembled by Steichen in 1919 from prints he kept after his military discharge. Many such pictures entered public and private collections; in some cases, they were assembled into albums that chronicled aerial photography during the war. Steichen’s pride in his work for the AEF is made clear in this unique compilation, which he personally captioned and dedicated to a member of a prominent family of art patrons.

To learn more about this album, visit http://archive.artic.edu/steichen/index.html.

Art Institute of Chicago · CC BY 4.0

Notice

August, 1918 · à 39 ans
18791973
Numéro d’inventaire
1977.735a-b

Au catalogue

PhotographiesTirage gélatino-argentiqueModernismeXXe siècleÉtats-Unis

Sources

  • Art Institute of Chicago
  • Image : Art Institute of Chicago — © the artist or rights holder

Autres œuvres : Edward Steichen

Toutes les œuvres
Vitality–Yvette Guilbert, Edward Steichen, 1901

Vitality–Yvette Guilbert

1901 · Museum of Modern Art

The Big White Cloud, Edward Steichen, 1903

The Big White Cloud

1903 · Museum of Modern Art

Gertrude Käsebier, Edward Steichen, c. 1907

Gertrude Käsebier

c. 1907 · Museum of Modern Art

My Little Sister, Edward Steichen, 1895

My Little Sister

1895 · Non exposée · Museum of Modern Art

Vrouw met zwarte vaas, Edward Steichen, c. 1896 - in or before 1901

Vrouw met zwarte vaas

c. 1896 - in or before 1901 · Rijksmuseum Amsterdam

Portret van een onbekende vrouw, Edward Steichen, c. 1896 - in or before 1901

Portret van een onbekende vrouw

c. 1896 - in or before 1901 · Rijksmuseum Amsterdam

Beekje in een bos, Edward Steichen, c. 1896 - in or before 1901

Beekje in een bos

c. 1896 - in or before 1901 · Rijksmuseum Amsterdam

Portret van Frits Thaulow, Edward Steichen, c. 1897 - in or before 1902

Portret van Frits Thaulow

c. 1897 - in or before 1902 · Rijksmuseum Amsterdam

Sous le même toit : Art Institute of Chicago

Page du musée
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Un dimanche après-midi à l'Île de la Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Rue de Paris, temps de pluie, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Les Deux Sœurs, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

La Corbeille de pommes, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942