El baño, Joaquín Sorolla Bastida, 1905–1909
Joaquín Sorolla, portraitJoaquín SorollaEspagne, 1863–1923

El baño

1905–1909 · Drawing

Peut-on la contempler ?

Inconnu

Musée Sorolla

Madrid, Espagne

Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.

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Selon le musée — en espagnol

Anverso: El baño A la izquierda, mujer agachada, peinada con moño. Entre sus brazos un niño desnudo. Frente a ellos, en primer plano, otra figura infantil de espaldas. Reverso: Rasguños Forma geométrica sin terminar de dibujar, consistente en dos triángulos unidos por la base, formando un motivo sin identificar.

Musée Sorolla

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Au catalogue

Sources

Pendant ce temps, chez Joaquín Sorolla

La vie entière
  1. 1906

    Galerie Georges Petit: nearly 500 works

    A one-man show at the Galeries Georges Petit in Paris — figures, landscapes, portraits, early works and recent sun-drenched beaches — eclipsed all his earlier successes. His productivity amazed critics, the show was a financial triumph, and it brought him the rank of Officer of the Legion of Honour.

  2. 1908

    Meets Archer Huntington

    Large exhibitions in Germany and London met with more restraint than the Paris show, but in England Sorolla met Archer Milton Huntington, who made him a member of the Hispanic Society of America in New York and invited him to exhibit there.

  3. 1909

    New York show: 195 of 356 paintings sold

    The exhibition at the Hispanic Society of America comprised 356 paintings, 195 of which were sold. Sorolla spent five months in America and painted more than twenty portraits.

  4. 1911

    Contract with Huntington for a series on Spain

    In Paris Sorolla signed a contract with the American magnate and patron Archer Huntington for a series of paintings on life in Spain. The major commission of his career, it dominated his last years.

  5. early 1911

    Second US visit: St. Louis and Chicago

    Sorolla visited the United States a second time and showed 152 new paintings at the Saint Louis Art Museum and, a few weeks later, 161 at the Art Institute of Chicago.

  6. 1911–1919

    Through the provinces of Spain to paint from life

    Huntington had envisioned a history of Spain; Sorolla preferred a “Vision of Spain” and finally images of the regions of the peninsula, “The Provinces of Spain”. He painted all but one of the huge canvases en plein air, travelling to Navarre, Aragon, Catalonia, Valencia, Elche, Seville, Andalusia, Extremadura, Galicia, Guipúzcoa, Castile, León and Ayamonte and posing models in local costume.

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