Cornelis CortPays-Bas, 1533–1578Ecce homo
Peut-on la contempler ?
Nous l’ignorons : le musée garde le silence
Rijksmuseum Amsterdam
Amsterdam, Pays-Bas
Le propriétaire est connu. Si elle est exposée aujourd’hui, le musée ne le dit pas, et l’on ne nous a pas appris à deviner.
- Source
- Les données de collection du musée lui-même
À propos de l’œuvre
In the museum's own words — the original
Christus ten halve lijve met beboeide handen, doornenkroon en rietstengel.
Rijksmuseum Amsterdam
Notice
- Numéro d’inventaire
- RP-P-2020-226
What it shows
Au catalogue
Sources
- Rijksmuseum Amsterdam: the museum's own open data · obtenue il y a 7 jours
- Image : Rijksmuseum Amsterdam — public domain
Pendant ce temps, chez Cornelis Cort
La vie entière1560–1565 · Lieu de travail
Northern Low Countries
1565–1566
Move to Venice, Living in Titian's House
In 1565–1566 Cort lived in Venice in the house of Titian, who immediately recognized his abilities and gave him his finest paintings to reproduce.
1565–1566 · Lieu de travail
Venice
1566–1569 · Lieu de travail
Rome
after 1567
Return to Italy: Venice, Bologna, Rome
Having returned from Italy to the Netherlands, Cort left again for Venice shortly after 1567, and from there traveled to Bologna and Rome, where he engraved after the paintings of the great masters of the time.
1567
Lampsonius's Letter to Titian
Cort's connection with Cock and Titian is illustrated by a letter of 1567 from Dominicus Lampsonius of Liège addressed to Titian, in which Cock is named as Cort's teacher.
