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  1. Collection/
  2. Victoria and Albert Museum/
  3. Drawing
Drawing, A.W.N. Pugin, 1850-1851
AA.W.N. Pugin

Drawing

1850-1851 · Drawing · 38.7 × 57 cm

À propos de l’œuvre

This design was made by A.W.N. Pugin for C.R. Scott-Murray, Danesfield, Berkshire.

Crace exhibited a prie-dieu with a triptych above it in the Medieval Court at the Great Exhibition of 1851. It is likely that these designs were for the same object. If so at some point this triptych was sold by Mr C. Scott Murray to one of the Scarisbrick family.

Augustus Welby Northmore Pugin (1812-52) is widely considered as one of the most significant and influential architects, designers and theorists of the 19th century. Following his conversion to Catholicism in 1835, he identified the Gothic style with Christian architecture and his work and writings inspired and framed the Gothic Revival. In 'Contrasts', published in 1836, he condemned classical forms and ardently praised 14th and 15th-century architecture. Pugin is best remembered for his work on the Palace of Westminster.

Victoria and Albert Museum

Notice

Numéro d’inventaire
E.1532-1912

Autres œuvres : A.W.N. Pugin

Toutes les œuvres

Sous le même toit : Victoria and Albert Museum

Page du musée

Sur le même thème · Panels

Toutes les œuvres sur ce thème

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Victoria and Albert Museum

Londres, Royaume-Uni

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
il y a 12 jours
Dans cet état depuis
25 sept. 2026
Source
Le musée
Sur la cartePage du musée

Ce qu’elle montre

PanelsTriptychDanesfield

Au catalogue

Dessins et aquarellesGraphiteRéalismeXIXe siècleGothic RevivalRoyaume-Uni

Sources

  • Victoria and Albert Museum
  • Image : Victoria and Albert Museum — © Victoria and Albert Museum, London
Drawing, A.W.N. Pugin, c.1847

Drawing

c.1847 · Victoria and Albert Museum

Drawing, A.W.N. Pugin

Drawing

Non exposée · Victoria and Albert Museum

Topographical drawings, A.W.N. Pugin

Topographical drawings

Non exposée · Victoria and Albert Museum

Drawing, A.W.N. Pugin

Drawing

Non exposée · Victoria and Albert Museum

Drawing, A.W.N. Pugin

Drawing

Non exposée · Victoria and Albert Museum

Drawing, A.W.N. Pugin

Drawing

Non exposée · Victoria and Albert Museum

Drawing, A.W.N. Pugin

Drawing

Non exposée · Victoria and Albert Museum

Drawing, A.W.N. Pugin

Drawing

Non exposée · Victoria and Albert Museum

Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Mirror #3 (Six Panels), Roy Lichtenstein, 1971

Roy Lichtenstein

Mirror #3 (Six Panels), 1971

Non exposée · Art Institute of Chicago

Untitled, George Fred Keck, n.d.

George Fred Keck

Untitled, n.d.

Non exposée · Art Institute of Chicago

Sixty drawings of Mughal monuments and architectural details., ca.1836

Sixty drawings of Mughal monuments and architectural details., ca.1836

Non exposée · Victoria and Albert Museum

Drawing, A.W.N. Pugin, c. 1847

A.W.N. Pugin

Drawing, c. 1847

Non exposée · Victoria and Albert Museum

One of thirty drawings of details of architectural stone and mother-of pearl ornament taken from rubbings and moulds of monuments in Ahmedabad, the capital seat of the Ahmad, Shahi dynasty., ca.1883

One of thirty drawings of details of architectural stone and mother-of pearl ornament taken from rubbings and moulds of monuments in Ahmedabad, the capital seat of the Ahmad, Shahi dynasty., ca.1883

Non exposée · Victoria and Albert Museum

A Design with Putti for the Upper Part of a Frame or Surround, attributed to Michiel the elder Coxie, 16th century

attributed to Michiel the elder Coxie

A Design with Putti for the Upper Part of a Frame or Surround, 16th century

Non exposée · Victoria and Albert Museum

Drawing, william chambers, 18th century

William Chambers

Drawing, 18th century

Non exposée · Victoria and Albert Museum

Drawing, A.W.N. Pugin, 1847

A.W.N. Pugin

Drawing, 1847

Non exposée · Victoria and Albert Museum