Drapé pour le Balzac ?, Auguste Rodin, 1891 vers,1892 vers
Auguste Rodin, portraitAuguste RodinFrance, 1840–1917

Drapé pour le Balzac ?

1891 vers,1892 vers · Drawing · 8.2 × 6 cm

Peut-on la contempler ?

Inconnu

Musée Rodin

Paris, France

Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.

Dans cet état depuis
Source
Le musée

À propos de l’œuvre

Folio 40 recto du carnet 21 (Inv. D 6438 à D. 6492_6). Au verso du folio 40 : dessin D. 6468.

Musée Rodin

Notice

Numéro d’inventaire
D 6467

Ce qu’elle montre

Au catalogue

Sources

  • Musée Rodin
  • Image : Musée Rodin — © Jean de Calan; Ministère de la Culture (France), base Joconde

Pendant ce temps, chez Auguste Rodin

La vie entière
  1. 1889

    Rodin and Monet at the Georges Petit gallery

    “The Burghers of Calais” was the main event of a joint exhibition of Rodin and Claude Monet: thirty-six sculptures by Rodin and seventy paintings by Monet.

  2. 1890

    Vice-president of the Société Nationale des Beaux-Arts

    When the Société Nationale des Beaux-Arts was revived in 1890, Rodin became its vice-president.

  3. 1890s–1900s

    Young sculptors in Rodin's studio

    His income let him hire gifted young sculptors, among them Antoine Bourdelle, Charles Despiau, Jules Desbois, François Pompon and Aristide Maillol. Constantin Brancusi left after two months, convinced that nothing grows under a big tree.

  4. 1891

    Commission for the Balzac monument

    The Société des Gens de Lettres, largely through the personal efforts of its president, Émile Zola, commissioned a monument to Balzac to be delivered in two years. Rodin pictured a massive standing figure with a large head and a body hidden in drapery, but he missed the deadline.

  5. 19 janvier 1892 · Distinction

    Officer of the Legion of Honour

  6. 1893

    Chicago: nudes behind a drape

    Through the curator Sarah Hallowell, Rodin sent “Cupid and Psyche”, “Sphinx” and “Andromeda” to the Chicago World's Fair; the nudes caused such controversy that they were hidden behind a drape, with special permission needed to see them. Even so, the financier Charles Yerkes bought two large marbles and was probably the first American to own a Rodin.

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