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  1. Collection/
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  3. Diana
Diana, Joseph Nollekens, 1778
Joseph Nollekens, portraitJoseph NollekensAngleterre, 1737–1823

Diana

1778 · Sculpture

À propos de la sculpture

This marble statue of Diana the Huntress was intended for the sculpture gallery at the 2nd Marquess of Rockingham's country seat, Wentworth Woodhouse, in Yorkshire, but seems not to have been taken there until after his death in 1782 and was never actually displayed. Diana is shown in the act of shooting her bow. Her dramatic pose, running forward and twisting her head round to take aim, is actually derived from an early 17th-century bronze statuette of Cupid, of which Nollekens made four drawings.

Lire la suite

Joseph Nollekens was one of the most successful sculptors in England in the late 18th and early 19th centuries, particularly of portrait busts and church monuments. This figure is unusual in being an ideal work intended for a sculpture gallery, a new type of setting for sculpture in England, probably partly inspired by the displays of antique marbles in Rome. Nollekens had spent the 1760s in Rome, where he had not only studied ancient sculpture but had also built up his own reputation as an artist, acquiring a number of English patrons, such as Charles Townley and Lord Yarborough. On his return to England he became the leading sculptor in London, and was quickly overwhelmed with commissions. One of his former studio assistants, J. T. Smith, was to write a vituperative biography of the sculptor after his death, in which he condemned him as a miser, ridiculing his odd personal habits and the squalor in which he lived. However, he admitted that Nollekens worked exceptionally hard, and that his portrait busts in particular were unrivalled.

Victoria and Albert Museum

Notice

1778 · à 41 ans
17371823
Numéro d’inventaire
A.5-1986

Autres œuvres : Joseph Nollekens

Toutes les œuvres

Dans la même salle · Sculpture, Room 22, The Dorothy and Michael Hintze Galleries, Victoria and Albert Museum

Page du musée

Sur le même thème · Moon

Toutes les œuvres sur ce thème

Peut-on la contempler ?

Oui, elle reçoit

Victoria and Albert Museum

Londres, Royaume-Uni

SalleSculpture, Room 22, The Dorothy and Michael Hintze Galleries

Présentée au public. Qui s’en porte garant est indiqué ci-dessous.

Vérifié
il y a 13 jours
Dans cet état depuis
25 sept. 2026
Source
Le musée
Sur la cartePage du musée

Ce qu’elle montre

MoonDiana

Au catalogue

SculptureMarbreRococoNéoclassicismeXVIIIe siècleLondres

Sources

  • Victoria and Albert Museum
  • Image : Victoria and Albert Museum — © Victoria and Albert Museum, London
Laurence Sterne (1713–1768), Joseph Nollekens, first modeled 1766

Laurence Sterne (1713–1768)

first modeled 1766 · Metropolitan Museum of Art

Venus, Joseph Nollekens, 1773

Venus

1773 · J. Paul Getty Museum

A Hero dying in the arms of Victory, Joseph Nollekens, late eighteenth century

A Hero dying in the arms of Victory

late eighteenth century · Victoria and Albert Museum

Castor and Pollux, Joseph Nollekens, 1767

Castor and Pollux

1767 · Victoria and Albert Museum

Minerva, Joseph Nollekens, 1775

Minerva

1775 · J. Paul Getty Museum

Juno, Joseph Nollekens, 1776

Juno

1776 · J. Paul Getty Museum

Sir George Savile (1726–84), Joseph Nollekens, 1784

Sir George Savile (1726–84)

1784 · Victoria and Albert Museum

Woman with a book, possibly Religion, or Mrs Jane Coke of Holkham, Joseph Nollekens, 1800 - 1802

Woman with a book, possibly Religion, or Mrs Jane Coke of Holkham

1800 - 1802 · Victoria and Albert Museum

Model for Wellington Monument: Truth and Falsehood, Alfred George Stevens, 1867-8

Alfred Stevens

Model for Wellington Monument: Truth and Falsehood, 1867-8

Valour and Cowardice, Alfred George Stevens, 1866

Alfred Stevens

Valour and Cowardice, 1866

Pandora, John Gibson, 1856

John Gibson

Pandora, 1856

Eve listening to the voice, Edward Hodges Baily, 1842

Edward Hodges Baily

Eve listening to the voice, 1842

Maternal Affection, Edward Hodges Baily, 1837

Edward Hodges Baily

Maternal Affection, 1837

Catherine, Lady Stepney (d. 1845) as Cleopatra, Richard Cockle Lucas, ca. 1836

Richard Cockle Lucas

Catherine, Lady Stepney (d. 1845) as Cleopatra, ca. 1836

Nicolò Paganini, Henry Westmacott, 1832

Henry Westmacott

Nicolò Paganini, 1832

Cupid kindling the torch of Hymen, George Rennie, ca. 1831

George Rennie

Cupid kindling the torch of Hymen, ca. 1831

High Country Crags and Moon, Sunrise, Kings Canyon National Park, California, Ansel Adams, c. 1935, printed 1979

Ansel Adams

High Country Crags and Moon, Sunrise, Kings Canyon National Park, California, c. 1935, printed 1979

Non exposée · National Gallery of Art

High Country Crags and Moon, Sunrise, Kings Canyon National Park, California, Ansel Adams, c. 1935, printed 1979

Ansel Adams

High Country Crags and Moon, Sunrise, Kings Canyon National Park, California, c. 1935, printed 1979

Non exposée · National Gallery of Art

Moon and Half Dome, Yosemite National Park, California, Ansel Adams, 1960, printed 1980

Ansel Adams

Moon and Half Dome, Yosemite National Park, California, 1960, printed 1980

Non exposée · National Gallery of Art

Moon and Half Dome, Yosemite Valley, California, Ansel Adams, 1960, printed 1980

Ansel Adams

Moon and Half Dome, Yosemite Valley, California, 1960, printed 1980

Non exposée · National Gallery of Art

Half Dome and Moon, Yosemite Valley, Ansel Adams, 1960

Ansel Adams

Half Dome and Moon, Yosemite Valley, 1960

Non exposée · National Gallery of Art

Moonrise, Hernandez, New Mexico, Ansel Adams, 1941, printed 1980

Ansel Adams

Moonrise, Hernandez, New Mexico, 1941, printed 1980

Non exposée · National Gallery of Art

Moon and Half Dome, Yosemite Valley, California, Ansel Adams, 1960

Ansel Adams

Moon and Half Dome, Yosemite Valley, California, 1960

Non exposée · Museum of Modern Art

Fence, Half-Moon Bay, Ansel Adams, 1931

Ansel Adams

Fence, Half-Moon Bay, 1931

Non exposée · Museum of Modern Art