De kruisiging

1508 · Print

Peut-on la contempler ?

Inconnu

Rijksmuseum Amsterdam

Amsterdam, Pays-Bas

Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.

Source: Le musée

Sur la carte Page du musée

À propos de l’œuvre

Selon le musée — en néerlandais

Christus aan het kruis. Aan zijn linkerzijde staat Johannes de evangelist met de handen geheven in een biddend gebaar, aan zijn rechterzijde staan en zitten vier treurende vrouwen.

Rijksmuseum Amsterdam

Notice

Numéro d’inventaire: RP-P-OB-1182

Ce qu’elle montre

Crucified Christ with Mary, John, and Mary Magdalene

Au catalogue

Estampes Renaissance XVIe siècle

Sources

Rijksmuseum Amsterdam
Image : Rijksmuseum Amsterdam — public domain

Pendant ce temps, chez Albrecht Dürer

La vie entière

1505–1507
To Bologna for the secrets of perspective
Dürer travelled to the university city of Bologna, hoping to learn the secrets of geometric perspective from its scholars. He then meant to visit Mantegna in Padua but received news of his death, which he greatly regretted afterwards.
1505–1507
Friendship with Giovanni Bellini
Dürer considered Giovanni Bellini “the best in painting”, the only Venetian master with whom he became friends. The Madonna of the Siskin may have been painted at Bellini's request.
1505–1507 · Lieu de travail
Venice
1507
Leaving Venice: “Here I am a gentleman”
Dürer left Italy, apparently reluctantly: in one of his last letters to Pirckheimer he remarked, “Here I am a gentleman, while at home I am only a parasite.”
1507–1528 · Lieu de travail
Nuremberg
1509
Elected to Nuremberg's Greater Council
Dürer was elected a nominated member of Nuremberg's Greater Council; in that role he may have taken part in the city's artistic projects.