De gevangenneming

1508 · Print

Peut-on la contempler ?

Nous l’ignorons : le musée garde le silence

Amsterdam, Pays-Bas

Le propriétaire est connu. Si elle est exposée aujourd’hui, le musée ne le dit pas, et l’on ne nous a pas appris à deviner.

Source: Les données de collection du musée lui-même

Sur la carte Page du musée

À propos de l’œuvre

In the museum's own words — the original

Christus wordt door Judas met een kus verraden. Soldaten staan achter Christus klaar om hem mee te voeren. Deze prent is onderdeel van een serie van 16 prenten met scènes uit het Lijdensverhaal.

Rijksmuseum Amsterdam

Notice

Numéro d’inventaire: RP-P-OB-1161

What it shows

Peter draws his sword and cuts off Malchus' ear The kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ

Sources

Rijksmuseum Amsterdam: the museum's own open data · obtenue il y a 6 jours
Image : Rijksmuseum Amsterdam — public domain

Pendant ce temps, chez Albrecht Dürer

La vie entière

1505–1507
To Bologna for the secrets of perspective
Dürer travelled to the university city of Bologna, hoping to learn the secrets of geometric perspective from its scholars. He then meant to visit Mantegna in Padua but received news of his death, which he greatly regretted afterwards.
1505–1507
Friendship with Giovanni Bellini
Dürer considered Giovanni Bellini “the best in painting”, the only Venetian master with whom he became friends. The Madonna of the Siskin may have been painted at Bellini's request.
1505–1507 · Lieu de travail
Venice
1507
Leaving Venice: “Here I am a gentleman”
Dürer left Italy, apparently reluctantly: in one of his last letters to Pirckheimer he remarked, “Here I am a gentleman, while at home I am only a parasite.”
1507–1528 · Lieu de travail
Nuremberg
1509
Elected to Nuremberg's Greater Council
Dürer was elected a nominated member of Nuremberg's Greater Council; in that role he may have taken part in the city's artistic projects.