Rembrandt van RijnPays-Bas, 1606–1669De baders
Peut-on la contempler ?
Inconnu
Amsterdam, Pays-Bas
Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.
- Source
- Le musée
À propos de l’œuvre
The openness of this etched composition suggests that Rembrandt perhaps drew on a prepared copperplate on the spot. The bathers in the landscape are rendered with just a few lines and very little detail. The swiftness with which this was executed resulted in some imperfections; the proper right hand of the man just emerging from the water, for instance, is extremely large.
Rijksmuseum Amsterdam
Notice
- Numéro d’inventaire
- RP-P-OB-253
Au catalogue
Sources
- Rijksmuseum Amsterdam
- Image : Rijksmuseum Amsterdam — public domain
Pendant ce temps, chez Rembrandt van Rijn
La vie entière1631–1669 · Lieu de travail
Amsterdam
1639–1658 · Résidence
Rembrandt House Museum
1648–1652
Pupil: Nicolaes Maes
early 1649
Beginning of His Relationship with Hendrickje Stoffels
In early 1649 Rembrandt grew close to the 23-year-old Hendrickje Stoffels, who had previously served as his maid. Her image appears in many works of his late period.
1649–1653
Pupil: Constantijn à Renesse
1650–1652
Pupil: Willem Drost
