[Das Paradies; Le Paradis]

1610–1611 · Print

Peut-on la contempler ?

Nous l’ignorons : le musée garde le silence

Brunswick, Allemagne

Le propriétaire est connu. Si elle est exposée aujourd’hui, le musée ne le dit pas, et l’on ne nous a pas appris à deviner.

Musée Herzog Anton Ulrich : les données ouvertes du musée · obtenue il y a 8 jours
Image : Musée Herzog Anton Ulrich — CC BY-NC-SA 4.0

1608
Runs away from home to Rome
Secretly from his parents Jacques sets out on foot for Rome — according to legend, with wandering Romani; by one account he ran away twice and twice came back at his father’s demand, until his father finally consented to his studying in Italy.
1608 · Lieu de travail
Nancy
1608–1611 · Lieu de travail
Rome
1611
Studies etching with Tempesta in Florence
Having studied burin engraving in Rome with Philippe Thomassin, Callot moves to Florence, where he works with Antonio Tempesta, who teaches him the technique of line etching (by other accounts, he lived in Florence from 1612).
1611–1621 · Lieu de travail
Florence
1612
Joins the workshop of Giulio Parigi
In Florence Callot also studies with the painter and engraver Remigio Cantagallina, and in 1612 joins the workshop of Giulio Parigi; he later often collaborates with both, coming under Parigi’s influence.

17th century · Musées d'Art de Harvard

17th century · Musées d'Art de Harvard

17th century · Musées d'Art de Harvard

17th century · Musées d'Art de Harvard

17th century · Musées d'Art de Harvard

17th century · Musées d'Art de Harvard

17th century · Musées d'Art de Harvard

17th century · Musées d'Art de Harvard