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  1. Collection/
  2. Musée de Bretagne/
  3. Cycles Perfecta
Cycles Perfecta, Alphonse Mucha, 1897
Alphonse Mucha, portraitAlphonse MuchaTchéquie, 1860–1939

Cycles Perfecta

1897 · Print

Peut-on la contempler ?

Inconnu

MB
Musée de Bretagne

Rennes, France

Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.

Dans cet état depuis
5 oct. 2026
Source
Le musée
Sur la cartePage du musée

Notice

1897 · à 37 ans
18601939
Numéro d’inventaire
933.0032.123 ; 13.268 (Autre N° 1)

Ce qu’elle montre

Scène (femme, à mi-corps, bicyclette (cyclisme),style Art nouveau)

Au catalogue

EstampesLithographieImpressionnismeXIXe siècle

Sources

  • Musée de Bretagne
  • Image : Musée de Bretagne — © Prudor Gérard; Ministère de la Culture (France), base Joconde

Pendant ce temps, chez Alphonse Mucha

La vie entière
  1. 1 January 1895

    The “Gismonda” poster appears on the streets of Paris

    The poster, a little over two metres high, with Bernhardt as a Byzantine noblewoman under a rainbow-shaped arch almost like a halo, appeared on the streets of Paris on 1 January 1895 and caused an immediate sensation; Bernhardt ordered four thousand copies in 1895 and 1896 and gave Mucha a six-year contract.

  2. after 1 January 1895

    A contract with the printer Champenois and a new studio

    Bernhardt switched to a different printer, F. Champenois, who, like Mucha, was put under a six-year contract to work for her and gave Mucha a generous monthly salary in exchange for the rights to publish all his works. With the extra income Mucha moved to a three-bedroom apartment with a large studio in a historic house at 6 Rue du Val-de-Grâce.

  3. 1897

    Retrospective at the Salon des Cent: 448 works

    Léon Deschamps, the editor of La Plume, invited him to show at the Salon des Cent in 1896, and in 1897 the same gallery gave him a major retrospective of 448 works; the magazine La Plume devoted a special issue to him, and the exhibition travelled to Vienna, Prague, Munich, Brussels, London and New York, giving him an international reputation.

  4. January 1898

    Joins a lodge of the Grand Orient de France

    In January 1898 Mucha joined the Paris masonic lodge of the Grand Orient de France; a devoted Catholic, he was also interested in mysticism.

  5. 20 December 1899

    “Le Pater” is published

    Wishing to be recognised as a serious artist and philosopher, he gave a pictorial expression to every line of the Lord’s Prayer in a book published by Henri Piazza in an edition of only 510 copies; he considered it his printed masterpiece and said he had put his soul into it. The original watercolours were shown in the Austrian pavilion at the 1900 Exposition Universelle.

  6. c. 1899 – 1900

    A trip to the Balkans for sketches

    As soon as the project was accepted, Mucha left for the Balkans to sketch costumes, ceremonies and architecture, which he put into his work for the pavilion.

Autres œuvres : Alphonse Mucha

Toutes les œuvres
Maude Adams (1872–1953) as Joan of Arc, Alphonse Mucha, 1909

Maude Adams (1872–1953) as Joan of Arc

1909 · Metropolitan Museum of Art

Napoleon Views His Rising Star, Alphonse Marie Mucha

Napoleon Views His Rising Star

Non exposée · National Gallery of Art

Head of a Child, Alphonse Mucha, (n.d.)

Head of a Child

(n.d.) · Non exposée · Museum of Modern Art

Job, Alfons Maria Mucha, 1860 - 1916

Job

1860 - 1916 · Rijksmuseum Amsterdam

Rocks on the Shore, Alphonse Mucha, n.d.

Rocks on the Shore

n.d. · Non exposée · Museum of Modern Art

IMPRIMERIE CASSAN FILS; FONDEE EN 1851, Alphonse Mucha

IMPRIMERIE CASSAN FILS; FONDEE EN 1851

Albertina

Liegende Frau mit Blumen im Haar, Alphonse Mucha

Liegende Frau mit Blumen im Haar

Albertina

GISMONDA; SARAH BERNHARDT; THÉATRE DE LA RENAISSANCE, Alphonse Mucha, 1894

GISMONDA; SARAH BERNHARDT; THÉATRE DE LA RENAISSANCE

1894 · Albertina