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AccueilCarteCatalogue
  1. Collection/
  2. Victoria and Albert Museum/
  3. Corner piece
Corner piece, Alfred George Stevens, ca. 1860 - ca. 1870
Alfred Stevens, portraitAlfred StevensRoyaume-Uni, 1817–1875

Corner piece

ca. 1860 - ca. 1870 · Sketch-model

À propos de la sculpture

This is a sketch model for the moulding on the base below the sarcophagus on the Wellington Monument in St. Paul's Cathedral, made by Stevens.

A sculptor, designer and painter, Alfred Stevens (1817/18- 1875) rejected contemporary distinctions between fine art and design. From 1850 to 1857 he was chief designer to Hoole & Co., Sheffield, where he produced award-winning designs for metalwork, majolica, terracotta ornaments and chimney-pieces. Perhaps his two greatest works were the decorations for the dining-room at Dorchester House, London (about 1856), for which he made countless drawings inspired by the Italian High Renaissance style, in particular the work of Michelangelo and the monument to the Duke of Wellington for St Paul's Cathedral, London, which was completed after his death. The two allegorical groups from this monument made a lasting impact on the New Sculpture movement.

Lire la suite

The influence of the Italian Renaissance is evident in much of Steven's work, and is perhaps best reflected in the Wellington monument.

Although Stevens came equal fifth in the competition for the Wellington monument, the winner being the Scots sculptor William Calder Marshall (1813-1894), he was eventually given the commission as his design was felt to be more in keeping with the interior of St Paul's.

Victoria and Albert Museum

Notice

ca. 1860 - ca. 1870
18171875
Numéro d’inventaire
A.64-1911

Autres œuvres : Alfred Stevens

Toutes les œuvres

Sous le même toit : Victoria and Albert Museum

Page du musée

Sur le même thème · Acanthus

Toutes les œuvres sur ce thème

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Victoria and Albert Museum

Londres, Royaume-Uni

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
il y a 12 jours
Dans cet état depuis
25 sept. 2026
Source
Le musée
Sur la cartePage du musée

Ce qu’elle montre

Acanthus

Au catalogue

SculpturePlâtreRéalismeImpressionnismeXIXe siècleAngleterre

Sources

  • Victoria and Albert Museum
  • Image : Victoria and Albert Museum — © Victoria and Albert Museum, London
Model for the Wellington Monument in St Paul's Cathedral, Alfred George Stevens, 1857

Model for the Wellington Monument in St Paul's Cathedral

1857 · Victoria and Albert Museum

Valour and Cowardice, Alfred George Stevens, 1866

Valour and Cowardice

1866 · Victoria and Albert Museum

Model for Wellington Monument: Truth and Falsehood, Alfred George Stevens, 1867-8

Model for Wellington Monument: Truth and Falsehood

1867-8 · Victoria and Albert Museum

William Blundell Spence, Alfred Stevens, 1851

William Blundell Spence

1851 · National Gallery

Woman with Book (recto); Sketches of Male Figure (verso), Alfred George Stevens, n.d.

Woman with Book (recto); Sketches of Male Figure (verso)

n.d. · Non exposée · Art Institute of Chicago

Decorative Design with Putti and Griffins, Alfred George Stevens, n.d.

Decorative Design with Putti and Griffins

n.d. · Non exposée · Art Institute of Chicago

Drawing, Alfred George Stevens

Drawing

Non exposée · Victoria and Albert Museum

Drawing, Alfred George Stevens

Drawing

Non exposée · Victoria and Albert Museum

Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Hand Bell with Armorial Shields and Griffins, Italian 16th Century, first half 16th century

Italian 16th Century

Hand Bell with Armorial Shields and Griffins, first half 16th century

Non exposée · National Gallery of Art

Mortar with Vine scrolls, Loop, and Ring, Italian 16th Century, 16th century

Italian 16th Century

Mortar with Vine scrolls, Loop, and Ring, 16th century

National Gallery of Art

Billethead from Ship "Favorite", Hazel Hyde, c. 1938

Hazel Hyde

Billethead from Ship "Favorite", c. 1938

Non exposée · National Gallery of Art

Hand Bell with Armorial Shield between Thistles (?), Palm Crossing Laurel, and initials B B, Probably Venetian 16th Century, 16th century

Probably Venetian 16th Century

Hand Bell with Armorial Shield between Thistles (?), Palm Crossing Laurel, and initials B B, 16th century

Non exposée · National Gallery of Art

Mortar with Putti and Griffins, Italian 16th Century, early 16th century

Italian 16th Century

Mortar with Putti and Griffins, early 16th century

Non exposée · National Gallery of Art

Arm Chair, M. Rosenshield-von-Paulin, 1937

M. Rosenshield-von-Paulin

Arm Chair, 1937

Non exposée · National Gallery of Art

Mortar with Foliage and Acanthus Leaves, Italian 16th Century, early 16th century

Italian 16th Century

Mortar with Foliage and Acanthus Leaves, early 16th century

Non exposée · National Gallery of Art

Design for a pier-glass for Sir Monoux Cope, 7th Baronet, John Linnell, ca.1755-1760

John Linnell

Design for a pier-glass for Sir Monoux Cope, 7th Baronet, ca.1755-1760

Non exposée · Victoria and Albert Museum