Cornard Wood, Thomas Gainsborough, 1748
Thomas Gainsborough, portraitThomas GainsboroughRoyaume-Uni, 1727–1788

Cornard Wood

1748 · Painting · 122 × 155 cm

Peut-on la contempler ?

Inconnu

National Gallery

Londres, Royaume-Uni

Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.

Dans cet état depuis
Source
Le musée

À propos du tableau

Cornard Wood, près de Sudbury, dans le Suffolk est une peinture de paysage datant de 1748 et réalisée par Thomas Gainsborough.

WikipédiaCC BY-SA

Notice

Numéro d’inventaire
NG925

Au catalogue

Sources

  • Wikidata
  • Image : National Gallery — Thomas Gainsborough · Public domain · Wikimedia Commons

Pendant ce temps, chez Thomas Gainsborough

La vie entière
  1. 1740s

    Making a living in London: landscapes, restoration, prints

    Landscapes interest the young man most — plant sketches from the 1740s survive. He earns his living with landscapes on commission, touches up old paintings, assists the engraver John Boydell, and helps Francis Hayman decorate the supper boxes in Vauxhall Gardens.

  2. 15 July 1746

    Marriage to Margaret Burr

    On 15 July 1746 Gainsborough marries Margaret Burr, an illegitimate daughter of the Duke of Beaufort.

  3. 1748

    His father dies; back to Sudbury

    Gainsborough's father, John, dies in 1748. With no new commissions coming in London, the painter returns to Sudbury, to the house of his childhood.

  4. c. 1749

    Landscapes do not pay: a turn to portraiture

    Gainsborough has always thought of himself as a landscape painter, but landscapes bring no income: in the England of the day they count as a “low genre”. Around 1749 he unites portrait and landscape in one composition for the first time, in “Mr and Mrs Andrews”.

  5. 31 janvier 1750

    Daughter born: Mary Gainsborough Fischer

  6. 1750s

    Portraits pay the bills: the example of Hogarth

    Gainsborough's main income comes from portraits; in this genre he tries to follow Hogarth, caring more about likeness than about conveying the sitter's social standing. Around 1753, probably, he receives a flattering commission for a portrait of Admiral Vernon, and he paints many members of his own family — for example a self-portrait of 1754 in a tricorn hat.

Toutes les œuvres

De la collection : National Gallery

Page du musée