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  1. Collection/
  2. Smithsonian American Art Museum/
  3. Coming to the Parson
Coming to the Parson, John Rogers, patented 1870

Coming to the Parson

patented 1870 · Sculpture · 54.5 × 42 cm

À propos de la sculpture

John Rogers sold more than eight thousand copies of the group Coming to the Parson, making it by far his most successful piece. This group was particularly favored as a wedding present. Rogers included a newspaper titled The Union, which was inspired by a newspaper he read while working as a mechanic in Manchester, New Hampshire.

Smithsonian American Art Museum

Notice

patented 1870 · à 62 ans
18081888
Numéro d’inventaire
1882.1.9

Autres œuvres : John Rogers

Toutes les œuvres

Sous le même toit : Smithsonian American Art Museum

Page du musée

Sur le même thème · Rites and ceremonies

Toutes les œuvres sur ce thème
JJohn RogersÉtats-Unis, 1808–1888

Peut-on la contempler ?

Inconnu

Smithsonian American Art Museum

Washington, États-Unis

Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.

Dans cet état depuis
25 sept. 2026
Source
Le musée
Sur la cartePage du musée

Ce qu’elle montre

Rites and ceremoniesWeddingOccupationsFigure groupReligionClergy

Au catalogue

SculpturePlâtreRéalismeImpressionnismeXIXe siècle

Sources

  • Smithsonian American Art Museum
  • Image : Smithsonian American Art Museum — CC0
Portret van Hugh Latimer, John Rogers, 1818 - 1888

Portret van Hugh Latimer

1818 - 1888 · Rijksmuseum Amsterdam

Portret van Lodewijk Filips I, koning van Frankrijk, John Rogers, 1821 - 1877

Portret van Lodewijk Filips I, koning van Frankrijk

1821 - 1877 · Rijksmuseum Amsterdam

Portret van George III, John Rogers, 1824

Portret van George III

1824 · Rijksmuseum Amsterdam

Oude man met brief, John Rogers, 1826

Oude man met brief

1826 · Rijksmuseum Amsterdam

Portret van Cornelis van der Geest, John Rogers, 1830 - 1836

Portret van Cornelis van der Geest

1830 - 1836 · Rijksmuseum Amsterdam

Alice Carey, John Rogers, about 1850–1871

Alice Carey

about 1850–1871 · Non exposée · J. Paul Getty Museum

"Is It So Nominated in the Bond?", John Rogers, patented 1860

"Is It So Nominated in the Bond?"

patented 1860 · Smithsonian American Art Museum

The Picket Guard, John Rogers, 1862

The Picket Guard

1862 · Smithsonian American Art Museum

Muskrat, Unidentified, before 1997

Unidentified

Muskrat, before 1997

Cane with Boot-Shaped Handle, Unidentified, late 19th-early 20th century

Unidentified

Cane with Boot-Shaped Handle, late 19th-early 20th century

San Jose, Arce group, late 19th-early 20th century

Arce group

San Jose, late 19th-early 20th century

Nuestra Senora del Carmen, Rivera group, ca. late 19th-early 20th century

Rivera group

Nuestra Senora del Carmen, ca. late 19th-early 20th century

San Rafael, Genaro Rivera Aviles, late 19th-early 20th century

Genaro Rivera Aviles

San Rafael, late 19th-early 20th century

Worrying Mother Pig Toy, Unidentified, 20th century (pre-1960s)

Unidentified

Worrying Mother Pig Toy, 20th century (pre-1960s)

Bright Light at Russell's Corners, George Ault, 1946

George Ault

Bright Light at Russell's Corners, 1946

Fish Decoy, Unidentified, ca. 1940s

Unidentified

Fish Decoy, ca. 1940s

Sham Fight, Mandan Boys, George Catlin, 1832-1833

George Catlin

Sham Fight, Mandan Boys, 1832-1833

Smithsonian American Art Museum

Alaska Building with Totems at St. Louis Exposition, Theodore J. Richardson, 1904

Theodore J. Richardson

Alaska Building with Totems at St. Louis Exposition, 1904

Smithsonian American Art Museum

Buffalo Dance No.8, George Catlin, n.d.

George Catlin

Buffalo Dance No.8, n.d.

Smithsonian American Art Museum

Buffalo Dance No.8, George Catlin, n.d.

George Catlin

Buffalo Dance No.8, n.d.

Smithsonian American Art Museum

National Inauguration Ball March 4th, 1865, J. Goldsborough Bruff, 1865

J. Goldsborough Bruff

National Inauguration Ball March 4th, 1865, 1865

Smithsonian American Art Museum

Drawing, Carlo Maratti

Carlo Maratta

Drawing

Smithsonian American Art Museum

Medicine Buffalo of the Sioux, George Catlin, 1837-1839

George Catlin

Medicine Buffalo of the Sioux, 1837-1839

Smithsonian American Art Museum

Dias de Fiesta #1, George Overbury "Pop" Hart, ca. 1924

George Overbury (Pop) Hart

Dias de Fiesta #1, ca. 1924

Smithsonian American Art Museum