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  1. Collection/
  2. Victoria and Albert Museum/
  3. Classical Figures
Classical Figures, Angelica Kauffman, 1770s
Angelica Kauffmann, portraitAngelica KauffmannSuisse, 1741–1807

Classical Figures

1770s · Oil painting · 29.5 × 25.4 cm

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Victoria and Albert Museum

Londres, Royaume-Uni

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
il y a 12 jours
Dans cet état depuis
25 sept. 2026
Source
Les données de collection du musée lui-même
Sur la cartePage du musée

À propos du tableau

Angelica Kauffmann (1741-1807) was born in Switzerland and was seen as a child prodigy. She soon specialised in history and portraits paintings while in Italy (especially Florence, Rome and Naples, Bologna, Parma and Venice) she was influenced by the nascent Neo-classical style. She became a member of the Roman Accademia di San Luca at the age of 23. She arrived in London in June 1766 and remained there for 15 years before moving back to Italy with her second husband the painter Antonio Zucchi (1726-1796). In London, she was a founder-member of the Royal Academy. All her life, she enjoyed international patronage such as the family of George III in Britain, Grand Duke Paul and Price Nikolay Yusupov in Russia, Queen Caroline of Naples and Emperor Joseph II of Austria among others. She died in Rome where her funeral was arranged by the Neo-classical sculptor Antonio Canova (1757-1822).

Lire la suite

This painting is an oil sketch, i.e. a preparatory study for a larger composition. It shows classical figures set in a military camp. In the 1770s, Kauffmann made a series of painting drawing from classical subjects such as the Trojan legend and the Odyssey. Although the precise subject matter has not been identified, the overall setting, classical dresses and burning incense on the altar indicates that it probably draws from a Greek or Latin source.

Victoria and Albert Museum

Notice

Numéro d’inventaire
DYCE.741

Ce qu’elle montre

FiguresHelmetSwagsShieldWarriorTentFemmeIncenseAltar

Au catalogue

PeinturesHuileSwiss schoolNeoclassicalRoyaume-Uni

Sources

  • Victoria and Albert Museum : les données ouvertes du musée · obtenue il y a 12 jours
  • Image : Victoria and Albert Museum — © Victoria and Albert Museum, London

Autres œuvres : Angelica Kauffmann

Toutes les œuvres
Parting of Abelard and Heloise, Angelica Kauffmann, 18th century

Parting of Abelard and Heloise

18th century · Musée de l'Ermitage

The Temptation of Eros, Angelica Kauffmann, 1750–75

The Temptation of Eros

1750–75 · Metropolitan Museum of Art

The Victory of Eros, Angelica Kauffmann, 1750–75

The Victory of Eros

1750–75 · Metropolitan Museum of Art

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851), Angelica Kauffmann, ca. 1776

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)

ca. 1776 · Metropolitan Museum of Art

Telemachus and the Nymphs of Calypso, Angelica Kauffmann, 1782

Telemachus and the Nymphs of Calypso

1782 · Metropolitan Museum of Art

The Sorrow of Telemachus, Angelica Kauffmann, 1783

The Sorrow of Telemachus

1783 · Metropolitan Museum of Art

Monsignor Giuseppe Spina (1756–1828), Angelica Kauffmann, 1798

Monsignor Giuseppe Spina (1756–1828)

1798 · Metropolitan Museum of Art

The Three Graces distressing Cupid, Angelica Kauffman, late 18th century

The Three Graces distressing Cupid

late 18th century · Victoria and Albert Museum

Sous le même toit : Victoria and Albert Museum

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