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  1. Collection/
  2. Smithsonian American Art Museum/
  3. Charles Augustus Lindberg
Charles Augustus Lindberg, Frederick MacMonnies, 1930

Charles Augustus Lindberg

1930 · Sculpture

Notice

Numéro d’inventaire
1972.167.9

Autres œuvres : Frederick MacMonnies

Toutes les œuvres

Sous le même toit : Smithsonian American Art Museum

Page du musée

Sur le même thème · Pilot

Toutes les œuvres sur ce thème
FFrederick MacMonnies

Peut-on la contempler ?

Inconnu

Smithsonian American Art Museum

Washington, États-Unis

Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.

Dans cet état depuis
25 sept. 2026
Source
Le musée
Sur la cartePage du musée

Ce qu’elle montre

PilotOccupationsTransportationHommePortrait

Au catalogue

SculptureBronzeModernismeXXe siècle

Sources

  • Smithsonian American Art Museum
  • Image : Smithsonian American Art Museum — CC0
Rip Van Winkle, Frederick MacMonnies, 1876-1880

Rip Van Winkle

1876-1880 · Smithsonian American Art Museum

Femme nue debout, Frederick Macmonnies

Femme nue debout

Musée Blanche Hoschedé-Monet

Horse Leaping, Frederick MacMonnies, 1873

Horse Leaping

1873 · Smithsonian American Art Museum

Nathan Hale, Frederick MacMonnies, 1890

Nathan Hale

1890 · Smithsonian American Art Museum

Bacchante and Infant Faun, Frederick MacMonnies, 1894

Bacchante and Infant Faun

1894 · Smithsonian American Art Museum

Venus and Adonis, Frederick MacMonnies, 1895

Venus and Adonis

1895 · Smithsonian American Art Museum

Tête de bélier, Frederick MacMonnies, 1895 (Vers)

Tête de bélier

1895 (Vers) · Musée Blanche Hoschedé-Monet

Miss Anne Mills Archbold, Frederick MacMonnies, 1902-1903

Miss Anne Mills Archbold

1902-1903 · Smithsonian American Art Museum

Muskrat, Unidentified, before 1997

Unidentified

Muskrat, before 1997

Cane with Boot-Shaped Handle, Unidentified, late 19th-early 20th century

Unidentified

Cane with Boot-Shaped Handle, late 19th-early 20th century

San Jose, Arce group, late 19th-early 20th century

Arce group

San Jose, late 19th-early 20th century

Nuestra Senora del Carmen, Rivera group, ca. late 19th-early 20th century

Rivera group

Nuestra Senora del Carmen, ca. late 19th-early 20th century

San Rafael, Genaro Rivera Aviles, late 19th-early 20th century

Genaro Rivera Aviles

San Rafael, late 19th-early 20th century

Worrying Mother Pig Toy, Unidentified, 20th century (pre-1960s)

Unidentified

Worrying Mother Pig Toy, 20th century (pre-1960s)

Bright Light at Russell's Corners, George Ault, 1946

George Ault

Bright Light at Russell's Corners, 1946

Fish Decoy, Unidentified, ca. 1940s

Unidentified

Fish Decoy, ca. 1940s

Pilots Gambling in Ready Room, Selfridge Field, Michigan ("I fired a long burst and saw an explosion behind the pilot's cockpit—He went straight down—I tried to follow—When he crashed three white blobs jumped out of the ground—Heh! This isn't my deal!"), Gordon Parks, October 1943

Gordon Parks

Pilots Gambling in Ready Room, Selfridge Field, Michigan ("I fired a long burst and saw an explosion behind the pilot's cockpit—He went straight down—I tried to follow—When he crashed three white blobs jumped out of the ground—Heh! This isn't my deal!"), October 1943

Non exposée · National Gallery of Art

Lt. "Wild Bill" William Walker and Lt. George Knox 332nd Fighter Group, Selfridge Field, Michigan ("A guy like Bill has got to come in—Let's wait a while longer."), Gordon Parks, October 1943

Gordon Parks

Lt. "Wild Bill" William Walker and Lt. George Knox 332nd Fighter Group, Selfridge Field, Michigan ("A guy like Bill has got to come in—Let's wait a while longer."), October 1943

Non exposée · National Gallery of Art

P40 in Line for Take Off, Selfridge Field, Michigan ("We're back sugar—Thanks a lot—You're a great gal."), Gordon Parks, October 1943

Gordon Parks

P40 in Line for Take Off, Selfridge Field, Michigan ("We're back sugar—Thanks a lot—You're a great gal."), October 1943

Non exposée · National Gallery of Art

Lt. "Wild Bill" William Walker, former college athlete, in the cockpit of a P39, Selfridge Field, Michigan ("All clear—Contact."), Gordon Parks, October 1943

Gordon Parks

Lt. "Wild Bill" William Walker, former college athlete, in the cockpit of a P39, Selfridge Field, Michigan ("All clear—Contact."), October 1943

Non exposée · National Gallery of Art

332nd Fighter Group in Flight, Selfridge Field, Michigan ("At last we are airborne—We take up our battle positions—White wisps pass us—It's glorious up here."), Gordon Parks, October 1943

Gordon Parks

332nd Fighter Group in Flight, Selfridge Field, Michigan ("At last we are airborne—We take up our battle positions—White wisps pass us—It's glorious up here."), October 1943

Non exposée · National Gallery of Art

Lt. George Knox. 332nd Fighter Group training at Selfridge Field, Michigan ("Fighters up! And good luck."), Gordon Parks, October 1943

Gordon Parks

Lt. George Knox. 332nd Fighter Group training at Selfridge Field, Michigan ("Fighters up! And good luck."), October 1943

Non exposée · National Gallery of Art

Piloot in een cockpit, anonymous, c. 1945 - c. 1949

anonymous

Piloot in een cockpit, c. 1945 - c. 1949

Rijksmuseum Amsterdam

Vliegtuig met een portret van vliegenier Clément van Maasdijk, anonymous, c. 1910 - c. 1915

anonymous

Vliegtuig met een portret van vliegenier Clément van Maasdijk, c. 1910 - c. 1915

Rijksmuseum Amsterdam