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AccueilCarteCatalogue
  1. Collection/
  2. Victoria and Albert Museum/
  3. Captain Thomas Read
Captain Thomas Read, Angelica Kauffman, 1780
Angelica Kauffmann, portraitAngelica KauffmannSuisse, 1741–1807

Captain Thomas Read

1780 · Oil painting · 77.2 × 63.2 cm

Peut-on la contempler ?

Nous l’ignorons : le musée garde le silence

Victoria and Albert Museum

Londres, Royaume-Uni

Le propriétaire est connu. Si elle est exposée aujourd’hui, le musée ne le dit pas, et l’on ne nous a pas appris à deviner.

Dans cet état depuis
25 sept. 2026
Source
Les données de collection du musée lui-même
Sur la cartePage du musée

À propos du tableau

Angelica Kauffmann (1741-1807) was born in Switzerland and was seen as a child prodigy. She soon specialised in history and portraits paintings while in Italy (especially Florence, Rome and Naples, Bologna, Parma and Venice) she was influenced by the nascent Neo-classical style. She became a member of the Roman Accademia di San Luca at the age of 23. She arrived in London in June 1766 and remained there for 15 years before moving back to Italy with her second husband the painter Antonio Zucchi (1726-1796). In London, she was a founder-member of the Royal Academy. All her life, she enjoyed international patronage such as the family of George III in Britain, Grand Duke Paul and Price Nikolay Yusupov in Russia, Queen Caroline of Naples and Emperor Joseph II of Austria among others. She died in Rome where her funeral was arranged by the Neo-classical sculptor Antonio Canova (1757-1822).

Lire la suite

This painting portrayed Captain Thomas Read (1762-1837) the twin brother of Sir John Read, 6th Bart. of Shipton-under-Wychwood, Oxfordshire. Very little is known about the sitter who must have been 18 year-old by the time this portrait was excuted. It is a fine example of Georgian portraiture based on the so-called "Vandyke manner" essential to British portrait painting in the age of Joshua Reynolds and Thomas Gainsborough.

Victoria and Albert Museum

Notice

1780 · à 39 ans
17411807
Numéro d’inventaire
P.36-1962

Ce qu’elle montre

HommeThomas Read

Au catalogue

PeinturesHuileNéoclassicismeXVIIIe siècleSwiss SchoolGeorgianLondres

Sources

  • Victoria and Albert Museum : les données ouvertes du musée · obtenue il y a 8 jours
  • Image : Victoria and Albert Museum — © Victoria and Albert Museum, London

Pendant ce temps, chez Angelica Kauffmann

La vie entière
  1. 1769–1782

    An annual exhibitor at the Royal Academy

    From 1769 until 1782 Kauffman exhibited at the Royal Academy every year, sometimes sending as many as seven pictures, generally on classical or allegorical subjects.

  2. 1770s

    Engravers reproduce her pictures

    At the same time Kauffman began to work with engravers who copied her pictures for wide distribution, and she became a commercially successful artist.

  3. 1781

    Returns to Rome

    Disappointed by the relative apathy of the British towards history painting, Kauffman left London, where she had lived for fifteen years, in 1781, after her marriage to Antonio Zucchi, and returned to Rome, where that genre was better known and enjoyed the patronage of patrons and collectors.

  4. 1781

    Married: Antonio Zucchi

  5. after 1781

    Befriends Goethe in Rome

    In Rome Kauffman befriended, among others, Johann Wolfgang von Goethe.

  6. 1782

    Her father, Joseph Johann Kauffmann, dies

    In 1782 Angelica’s father, Joseph Johann Kauffmann (1707–1782), died; he was her first teacher of painting, and she had worked and travelled with him through Switzerland, Austria and Italy.

Autres œuvres : Angelica Kauffmann

Toutes les œuvres
Parting of Abelard and Heloise, Angelica Kauffmann, 18th century

Parting of Abelard and Heloise

18th century · Musée de l'Ermitage

The Temptation of Eros, Angelica Kauffmann, 1750–75

The Temptation of Eros

1750–75 · Metropolitan Museum of Art

The Victory of Eros, Angelica Kauffmann, 1750–75

The Victory of Eros

1750–75 · Metropolitan Museum of Art

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851), Angelica Kauffmann, ca. 1776

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)

ca. 1776 · Metropolitan Museum of Art

Telemachus and the Nymphs of Calypso, Angelica Kauffmann, 1782

Telemachus and the Nymphs of Calypso

1782 · Metropolitan Museum of Art

The Sorrow of Telemachus, Angelica Kauffmann, 1783

The Sorrow of Telemachus

1783 · Metropolitan Museum of Art

Monsignor Giuseppe Spina (1756–1828), Angelica Kauffmann, 1798

Monsignor Giuseppe Spina (1756–1828)

1798 · Metropolitan Museum of Art

The Three Graces distressing Cupid, Angelica Kauffman, late 18th century

The Three Graces distressing Cupid

late 18th century · Victoria and Albert Museum

Sous le même toit : Victoria and Albert Museum

Page du musée
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Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

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Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024