James RosenquistÉtats-Unis, 1933–2017Capitol
Peut-on la contempler ?
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National Gallery of Art
Washington, États-Unis
Elle appartient à la collection, mais n’est pas présentée en ce moment.
- Vérifié
- il y a 19 heures
- Dans cet état depuis
- 19 août 2026
- Source
- Les données de collection du musée lui-même
Notice
- Numéro d’inventaire
- 1981.5.83
What it shows
Au catalogue
Sources
- National Gallery of Art: the museum's own open data · obtenue il y a 5 jours
- Image : National Gallery of Art — © the artist or rights holder
Pendant ce temps, chez James Rosenquist
La vie entière1972–1973
First retrospectives: New York, Cologne, Amsterdam
In 1972 the Whitney Museum in New York and the Wallraf-Richartz Museum in Cologne organised his first early-career retrospectives, followed by many exhibitions in the United States and abroad; in 1973 an exhibition opened at the Stedelijk Museum in Amsterdam.
1975
Divorce from Mary Lou Adams
In 1975 Rosenquist’s marriage to Mary Lou Adams ended in divorce.
1976
Moves to Aripeka, Florida
A year after his divorce, in 1976, Rosenquist moved to Aripeka, Florida, and set up a studio there. He kept travelling to Florida throughout his career, making works for the community, including two murals for the state capitol building and a sculpture for Johns Hopkins All Children’s Hospital, and serving on the Board of Trustees of the Tampa Museum of Art.
1977
Takes part in documenta 6 in Kassel
In 1977 Rosenquist took part in documenta 6 in Kassel.
![Scenes from the Passion of Christ: The Descent into Limbo [right panel], Andrea Vanni, 1380s](https://api.nga.gov/iiif/4205a539-eadd-4486-89a7-3cff9c1ba428/full/!2400,2400/0/default.jpg)
