Ensor, JamesBelgique, 1860–1949Brücke am Land
Peut-on la contempler ?
Nous l’ignorons : le musée garde le silence
Albertina
Vienne, Autriche
Le propriétaire est connu. Si elle est exposée aujourd’hui, le musée ne le dit pas, et l’on ne nous a pas appris à deviner.
- Dans cet état depuis
- 27 sept. 2026
- Source
- Les données de collection du musée lui-même
Notice
Sources
- Albertina: the museum's own open data · obtenue il y a 6 jours
- Image : Albertina — Public Domain Mark 1.0
Pendant ce temps, chez Ensor, James
La vie entière1860–1949 · Lieu de travail
Ostend
1880s
Brief trips to France and the Netherlands
Ensor travelled very little: in the 1880s, just three brief trips to France and two to the Netherlands.
1883–1893 · Adhésion
Les XX
1887
Death of his father
His father, James Frederic Ensor, died — a scion of a wealthy English family who never found his footing in Belgium, mocked by small-town Ostend as a drunkard and failure, yet always supportive of his son's passion for art. Left the only man in the family, James felt a special responsibility for his younger sister Mariette (Mitche).
1888–1892
Turning-point years: the Passion of Christ
Ensor turned to religious themes, most often the torments of Christ, expressing through them his disgust at the inhumanity of the world; an atheist, he identified with Christ as a victim of mockery. At the height of his creative powers, between 1886 and 1891, he made 86 of his 133 etchings.
