Bridge with a Sluice, Jacob van Ruisdael, about 1648–1649
Jacob Isaacksz. van Ruisdael, portraitJacob Isaacksz. van RuisdaelPays-Bas, 1628–1682

Bridge with a Sluice

about 1648–1649 · Painting · 39.7 × 56.2 cm

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Oui, elle reçoit

J. Paul Getty Museum

Los Angeles, États-Unis

SalleMuseum East Pavilion, Gallery E204

Présentée au public.

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À propos du tableau

Bathed in sunlight breaking through the clouds, a rustic sluice, used to regulate water levels and irrigate farmland, sits above a background of productive pastureland. Jacob van Ruisdael, one of the great Dutch landscape painters of the 1600s, explored a range of landscape motifs in his work, including forest scenes, seascapes, beach scenes, and panoramic landscapes. In *Bridge with a Sluice,* Ruisdael made an ordinary object monumental by making it larger than all the other elements in the painting, thereby calling attention to its use and placement in the countryside. The diagonal movement of the rugged road at the left draws the eye up toward the sluice and then down to the land below. A single figure populates the scene, but the sluice symbolizes the human presence in nature and human attempts to control it.

J. Paul Getty Museum

Notice

Numéro d’inventaire
86.PB.597

Au catalogue

Sources

Pendant ce temps, chez Jacob Isaacksz. van Ruisdael

La vie entière
  1. 1640s

    Trips to Blaricum, Egmond aan Zee and Rhenen

    For a landscape painter Ruisdael travelled little: in the 1640s he visited Blaricum, his grandfather's home village, Egmond aan Zee and Rhenen.

  2. 1646

    First dated paintings and etchings

    The earliest date on Ruisdael's paintings and etchings is 1646; the young man was strongly influenced by the Haarlem landscape painters Cornelis Vroom and Allart van Everdingen. Two years later he was admitted to the Haarlem Guild of St Luke.

  3. 1650

    Journey to Germany with Nicolaes Berchem

    With Nicolaes Berchem, one of the painters who would later add figures to his landscapes, Ruisdael travels to Bentheim and Steinfurt, just across the German border (other accounts date the trip to Westphalia to around 1650). Afterwards his landscapes take on a more heroic character, with larger and more prominent forms.

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