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  1. Collection/
  2. Victoria and Albert Museum/
  3. Bottle Green Republic
Bottle Green Republic, Richard Deacon, 2009
Richard Deacon, portraitRichard DeaconRoyaume-Uni, 1949

Bottle Green Republic

2009 · Sculpture · 51.5 × 59 cm

Peut-on la contempler ?

Oui, elle reçoit

Victoria and Albert Museum

Londres, Royaume-Uni

SalleCeramics, Room 141, The McAulay Gallery

Présentée au public. Qui s’en porte garant est indiqué ci-dessous.

Vérifié
il y a 12 jours
Dans cet état depuis
25 sept. 2026
Source
Le musée
Sur la cartePage du musée

À propos de la sculpture

Richard Deacon (b.1949) is a leading British sculptor and former Turner Prize winner, and has been the subject of a major retrospective at Tate Britain in 2014. Throughout his career, Deacon has employed a range of materials including laminated wood, stell, and glazed ceramic.

Bottle Green Republic belongs to a series of ceramic pieces constructed from cut lengths of clay, assempled in seemingly improbably ways. Each linear section has a precise yet individual geometry, and meets its neighbours through a minimal number of surface contact points. Unified by a single glaze colour, the sculptures recall Suprematist paintings. In their assertion of materiality and their suggestion of something engineered, their greater affinity is perhaps, however, with Constructivism. Their evocation of the Revoluntionary Russian avant-garde is further echoed in the title of the series, Republic.

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In common with many of Deacon's sculptures, the works in the Republic series emphasise structure, using component pieces to construct form and to delineate space. The irreversible nature of the ceramic firing process nevertheless makes them distinct from Deacon's work in other materials, where the possibility of disassembly often remains apparent. Bottle Green Republic, a powerful and dynamic work from teh series, holds particular interest for its use of a transparent glaze that has the capacity to emphasise structure by partially revealing the underlying surface. It also complements the architectonic character of the work through its association with architectural ceramics and tiles.

Victoria and Albert Museum

Notice

2009 · à 60 ans
1949aujourd’hui
Numéro d’inventaire
C.75-2014

Au catalogue

SculptureTerre cuite et céramiqueArt contemporainXXIe siècleCologne

Sources

  • Victoria and Albert Museum
  • Image : Victoria and Albert Museum — © Victoria and Albert Museum, London

Autres œuvres : Richard Deacon

Toutes les œuvres
Falling on Deaf Ears Number 1, Richard Deacon, 1984

Falling on Deaf Ears Number 1

1984 · Non exposée · Museum of Modern Art

Muzot #2, Richard Deacon, 1987

Muzot #2

1987 · Non exposée · Museum of Modern Art

Muzot #4, Richard Deacon, 1987

Muzot #4

1987 · Non exposée · Museum of Modern Art

Muzot #1, Richard Deacon, 1987

Muzot #1

1987 · Non exposée · Museum of Modern Art

Muzot, Richard Deacon, 1987

Muzot

1987 · Non exposée · Museum of Modern Art

Out of His Own Mouth, Richard Deacon, 1987-88

Out of His Own Mouth

1987-88 · Non exposée · Museum of Modern Art

Muzot #3, Richard Deacon, 1987

Muzot #3

1987 · Non exposée · Museum of Modern Art

Untitled, Richard Deacon, 1990

Untitled

1990 · Non exposée · Museum of Modern Art

Sous le même toit : Victoria and Albert Museum

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