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  3. Bodleian Library
Bodleian Library, William Henry Fox Talbot, c. 1843/46

Bodleian Library

c. 1843/46 · Photograph

Notice

c. 1843/46
18001877
Numéro d’inventaire
1967.151

Pendant ce temps, chez William Henry Fox Talbot

La vie entière
  1. 1840–1841

    Post: High Sheriff of Wiltshire

  2. 1840s

    Photomechanics: the road to photogravure

    In the 1840s Talbot turned to the photomechanical reproduction of pictures; this work led to photoglyphic engraving, the precursor of photogravure. Rendering a photograph in printer’s ink made editions cheaper and avoided the fading of early silver prints.

  3. February 1841

    Patents the calotype

    Talbot obtained an English patent for the calotype process and sold licences at £20 each, later lowering the fee for amateurs to £4 while professionals paid up to £300 a year; scientists saw it as a hindrance to scientific freedom. He justified his rigour by the roughly £5,000 he had spent on photography; for science the method was free, and Talbot himself published the first known photomicrograph of a mineral crystal.

  4. August 1841

    First licence goes to the miniaturist Henry Collen

    Having announced the calotype, in August Talbot licensed the miniature painter Henry Collen, who became the first professional calotypist. The most celebrated practitioners of the process were Hill & Adamson.

  5. 1842

    Birth of his son Charles Henry

    Charles Henry Talbot was born into the Talbot family; with his birth the nursemaid Eliza Frayland joined the household, later captured in the family calotype of 1844.

Autres œuvres : William Henry Fox Talbot

Toutes les œuvres

Sous le même toit : Art Institute of Chicago

Page du musée

Sur le même thème · Collected by Hugh Edwards

Toutes les œuvres sur ce thème

1844–1846

“The Pencil of Nature”, the first photobook, appears

Longman, Brown, Green & Longmans issued the book in separate parts: 24 prints, each pasted in by hand and accompanied by a short text. Talbot is regarded as the author of the first photographic book; scholars see in it the design of a new canon built on biblical rhetoric.

William Henry Fox Talbot, portraitWilliam Henry Fox TalbotAngleterre, 1800–1877

Peut-on la contempler ?

Elle ne reçoit pas en ce moment

Art Institute of Chicago

Chicago, États-Unis

Elle appartient à la collection, mais n’est pas présentée en ce moment.

Vérifié
il y a 9 jours
Dans cet état depuis
19 août 2026
Source
Le musée
Sur la cartePage du musée

Ce qu’elle montre

Collected by Hugh Edwards

Au catalogue

PhotographiesTirage sur papier saléRomantismeRéalismeXIXe siècleAngleterre

Sources

  • Art Institute of Chicago
  • Image : Art Institute of Chicago — CC0
Leaf Study, William Henry Fox Talbot, 1839/1840

Leaf Study

1839/1840 · Non exposée · National Gallery of Art

Lace, William Henry Fox Talbot, 1839-1844

Lace

1839-1844 · Non exposée · National Gallery of Art

Porseleinen beeld naar Giambologna, voorstellende de Sabijnse maagdenroof, William Henry Fox Talbot, in or after 1839-04 - in or before 1840-04

Porseleinen beeld naar Giambologna, voorstellende de Sabijnse maagdenroof

in or after 1839-04 - in or before 1840-04 · Rijksmuseum Amsterdam

Oak Tree, William Henry Fox Talbot, mid-1840s

Oak Tree

mid-1840s · Non exposée · National Gallery of Art

Lace, William Henry Fox Talbot, 1840s

Lace

1840s · Non exposée · Museum of Modern Art

Entrée van de Magdalen College Chapel in Oxford, William Henry Fox Talbot, c. 1840 - c. 1850

Entrée van de Magdalen College Chapel in Oxford

c. 1840 - c. 1850 · Rijksmuseum Amsterdam

[Group of Trees from the American Walnut], William Henry Fox Talbot, June 1, 1840

[Group of Trees from the American Walnut]

1840 · Non exposée · J. Paul Getty Museum

Winter Trees, Reflected in a Pond, William Henry Fox Talbot, 1841-1842

Winter Trees, Reflected in a Pond

1841-1842 · Non exposée · National Gallery of Art

The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Un dimanche après-midi à l'Île de la Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Rue de Paris, temps de pluie, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Les Deux Sœurs, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

La Corbeille de pommes, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942

Alabama Cotton Tenant Farmer's Wife, Walker Evans, 1936, printed c. 1962

Walker Evans

Alabama Cotton Tenant Farmer's Wife, 1936, printed c. 1962

Non exposée · Art Institute of Chicago

Fourth of July, Jay, New York, Robert Frank, 1954

Robert Frank

Fourth of July, Jay, New York, 1954

Non exposée · Art Institute of Chicago

Portrait of Annette Rosenshine, Ansel Adams, 1932

Ansel Adams

Portrait of Annette Rosenshine, 1932

Non exposée · Art Institute of Chicago

Train Interior, Oaxaca, Mexico, Elizabeth Timberman, 1940/59

Elizabeth Timberman

Train Interior, Oaxaca, Mexico, 1940/59

Non exposée · Art Institute of Chicago

Ruined Mosque Near Philæ, Francis Frith, 1857

Francis Frith

Ruined Mosque Near Philæ, 1857

Non exposée · Art Institute of Chicago

City Wall and Mosque of Omar, Jerusalem, Francis Frith, 1857

Francis Frith

City Wall and Mosque of Omar, Jerusalem, 1857

Non exposée · Art Institute of Chicago

Late Afternoon Shadows, Johan Hagemeyer, 1922

Johan Hagemeyer

Late Afternoon Shadows, 1922

Non exposée · Art Institute of Chicago

Interior Court of Medinet Habbo, Thebes, Francis Frith, 1857

Francis Frith

Interior Court of Medinet Habbo, Thebes, 1857

Non exposée · Art Institute of Chicago