The Annunciation
Peut-on la contempler ?
Inconnu
Saint-Pétersbourg, Russie
Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.
- Source
- Le musée
Notice
- Numéro d’inventaire
- ГЭ-3197
Au catalogue
Sources
- Musée de l'Ermitage
- Image : Musée de l'Ermitage — Museum open access
Pendant ce temps, chez Pieter Lastman
La vie entière1607–1633 · Lieu de travail
Amsterdam
1617–1620
Pupil: Jan Lievens
1618
Recognised as Amsterdam’s foremost painter
Having quickly won fame for his history and biblical pictures, he runs a large workshop and sells his works on the open market at good prices; in 1618 he is recognised as the most outstanding painter of his native Amsterdam. His pictures are biblical and mythological subjects set against idyllic Roman landscapes: “The Flight into Egypt”, “Odysseus and Nausicaa”, “Midas”, “The Raising of Lazarus”.
1619
Takes Jan Lievens as a pupil
In 1619 he takes Jan Lievens as a pupil (by other accounts, Lievens studied with him from 1617). His other pupils include Bartholomeus Breenbergh, Nicolaes Lastman, Pieter Nedek, Jan Albertsz Rotius and, possibly, Nicolaes Moeyaert.
