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  1. Collection/
  2. Kupferstich-Kabinett/
  3. Bildnis Theodor Fontane
Bildnis Theodor Fontane, Max Liebermann, 1896
Max Liebermann, portraitMax LiebermannAllemagne, 1847–1935

Bildnis Theodor Fontane

1896 · Print

Peut-on la contempler ?

Inconnu

Kupferstich-Kabinett

Dresde, Allemagne

Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.

Dans cet état depuis
27 sept. 2026
Source
Le musée
Sur la cartePage du musée

Notice

1896 · à 49 ans
18471935

Au catalogue

EstampesImpressionnismeXIXe siècle

Sources

  • Kupferstich-Kabinett
  • Image : Kupferstich-Kabinett — In Copyright

Pendant ce temps, chez Max Liebermann

La vie entière
  1. 1894

    Death of his father Louis Liebermann

    Shortly before, late feelings for his father had awakened in Liebermann and the old disagreements had receded; after their reconciliation, the parting was especially hard. He became one of the heirs to a millionaire's fortune and the owner of the mansion on Pariser Platz — the police allowed the studio under its roof only in 1896, through the intervention of the minister of public works Karl von Thielen.

  2. 1896

    To Paris with Hugo von Tschudi: Manet's “Winter Garden” and Degas

    The new director of the Old National Gallery, Hugo von Tschudi, took Liebermann to Paris as an adviser on acquisitions; he talked Tschudi out of buying Manet's “Winter Garden”, fearing that even a naturalistic picture could cause a scandal in Berlin at the time. Through Tschudi Liebermann met Edgar Degas, and with the Prussian government's consent he was made a knight of the Legion of Honour.

  3. 1896

    Oxford and London: Whistler

    Liebermann spent ten days in Oxford, where his brother Felix was awarded an honorary doctorate, and in London he met James McNeill Whistler, whose etchings in the manner of the old masters made a great impression on him.

  4. 1897

    Jubilee exhibition for his 50th birthday at the Academy

    For his half-century the Academy of Arts gave Liebermann an entire hall: 30 paintings, 9 drawings, 3 lithographs and 19 etchings. He was awarded a large gold medal and the title of professor of the Academy.

  5. 1897

    Employed by: Academy of Arts, Berlin

  6. 1898

    President of the Berlin Secession

    When the jury of the Great Berlin Art Exhibition, chaired by Anton von Werner, rejected a work by Walter Leistikow, Leistikow called on independent artists to unite, and Liebermann was elected president of the association. He appointed the gallerists Bruno and Paul Cassirer as secretaries, and his fame secured the Secession public interest.

Autres œuvres : Max Liebermann

Toutes les œuvres
The Ropewalk in Edam, Max Liebermann, 1904

The Ropewalk in Edam

1904 · Metropolitan Museum of Art

Dutch Village Scene with Hanging Laundry, Max Liebermann, 1890

Dutch Village Scene with Hanging Laundry

1890 · Musées d'Art de Harvard

Self-Portrait, Max Liebermann

Self-Portrait

Non exposée · National Gallery of Art

Hyman Marzynski, Max Liebermann

Hyman Marzynski

Non exposée · National Gallery of Art

Cafe, Max Liebermann

Cafe

Non exposée · National Gallery of Art

Portrait of a Man, Max Liebermann

Portrait of a Man

Non exposée · National Gallery of Art

Karl Legien, Max Liebermann

Karl Legien

Non exposée · National Gallery of Art

Portrait, Max Liebermann

Portrait

Non exposée · National Gallery of Art

De la collection : Kupferstich-Kabinett

Page du musée
Der Erzengel Michael, Raphael

Raphael

Der Erzengel Michael

Kopf einer jungen Frau mit Turban und Perlenkette, Raphael

Raphael

Kopf einer jungen Frau mit Turban und Perlenkette

Plakat: I. Kunstausstellung der Wiener Secession, Gustav Klimt, 1898

Gustav Klimt

Plakat: I. Kunstausstellung der Wiener Secession, 1898

Jan Antonides van der Linden, Professor der Medizin in Leiden, Rembrandt, 1665

Rembrandt van Rijn

Jan Antonides van der Linden, Professor der Medizin in Leiden, 1665

Jan Antonides van der Linden, Professor der Medizin in Leiden, Rembrandt, 1665

Rembrandt van Rijn

Jan Antonides van der Linden, Professor der Medizin in Leiden, 1665

Diana und Aktaion, Rembrandt, 1663–1665

Rembrandt van Rijn

Diana und Aktaion, 1663–1665

Petrus am Totenbett der Tabea, Rembrandt, 1662–1665

Rembrandt van Rijn

Petrus am Totenbett der Tabea, 1662–1665

Die Frau mit dem Pfeil (Venus und Cupido?), Rembrandt, 1661

Rembrandt van Rijn

Die Frau mit dem Pfeil (Venus und Cupido?), 1661