Edvard MunchNorvège, 1863–1944Berlin Model
Peut-on la contempler ?
Elle ne reçoit pas en ce moment
Musées d'Art de Harvard
Cambridge, États-Unis
Elle appartient à la collection, mais n’est pas présentée en ce moment.
- Vérifié
- il y a 16 heures
- Dans cet état depuis
- 27 sept. 2026
- Source
- Les données de collection du musée lui-même
Notice
- Numéro d’inventaire
- 1991.215
Au catalogue
Sources
- Musées d'Art de Harvard: the museum's own open data · obtenue il y a 4 jours
- Image : Musées d'Art de Harvard — © President and Fellows of Harvard College
Pendant ce temps, chez Edvard Munch
La vie entièreDecember 1893
The "Love" Exhibition: Beginning of "The Frieze of Life"
At an exhibition on Unter den Linden he showed, among other works, six paintings under the title "Studies for a Series: Love" — the beginning of the cycle later named "The Frieze of Life — a Poem about Life, Love and Death."
1894
Turn to Copper Engraving
He began engraving on copper on his own, without formal training, working in etching, drypoint, and aquatint, and created many masterpieces in the medium.
1896
Meetings with Gauguin and the Symbolists in Paris
During an important stay in Paris he met Gauguin, Émile Bernard, Maurice Denis, and Symbolist poets, notably Mallarmé. At this time he turned to etching, woodcut, and lithography.
May 1896
Exhibition at the Maison de l'Art Nouveau
Siegfried Bing showed 60 of Munch's works, including "The Kiss," "The Scream," "Madonna," and "The Sick Child." The exhibition introduced the French public to the artist's work.
