William BlakeRoyaume-Uni, 1757–1827"Beggar's Opera"
Peut-on la contempler ?
Inconnu
Musée de la Musique
Paris, France
Le propriétaire est connu ; on ignore si l’œuvre est exposée aujourd’hui.
- Dans cet état depuis
- Source
- Le musée
À propos de l’œuvre
Description des éléments : Eau-forte. Cadre en bois doré 17e siècle. 2 ailerons bas gauche et haut gauche manquants.
Musée de la Musique
Notice
- Numéro d’inventaire
- E.986.1.37
Au catalogue
Sources
- Musée de la Musique
- Image : Musée de la Musique — Jean-Marc Anglès; Ministère de la Culture (France), base Joconde
Pendant ce temps, chez William Blake
La vie entière1780–1808
Exhibits six times at the Royal Academy
Despite his antagonism towards Reynolds, Blake submitted works to the Royal Academy on six occasions between 1780 and 1808.
1785–1791 · Résidence
Poland Street
1788
Invents relief etching
In 1788, aged 31, Blake invented relief etching, or “illuminated printing”: text and designs are drawn on a copper plate in acid-resistant ink and etched so that the protected areas stand in relief, and the printed pages are coloured by hand in watercolours. He used it for most of his well-known works, including “Songs of Innocence and of Experience”, “The Book of Thel”, “The Marriage of Heaven and Hell” and “Jerusalem”.
1791 · Résidence
Hercules Buildings
1791
Illustrates Mary Wollstonecraft's “Original Stories from Real Life”
Blake illustrated Mary Wollstonecraft's “Original Stories from Real Life” (2nd edition, 1791). They seem to have shared some views on sexual equality and the institution of marriage, but no evidence is known that they ever met.
